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Challenges existing views of crafts and service workers in Egypt in the nineteenth and early twentieth centuries.
1920s Cairo: a counterculture was on the rise. A passionate group of artists captivated Egyptian society in the city's bars, hash dens and music halls - and the most dazzling and assertive were women. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife, through the lives of these pioneering women, including dancehall impresario Badia Masabni, innovator of Egyptian cinema Aziza Amir and legendary singer Oum Kalthoum. They exploited the opportunities offered by this new era, while weathering its many prejudices. And they held the keys to this raucous, cosmopolitan city's secrets. Introducing an eccentric cast of characters, Raphael Cormack brings to life a world of revolutionary ideas and provocative art. This is a story of modern Cairo as we have never heard it before.
Welcome to the land of the Pharaohs... Clockwork mummies, thieving deities, airship pirates, psychic queens, mechanical scarabs, unrepentant scoundrels, mysterious museums, trickster djinns, suspicious werewolves, abducted scientists, fearless spies, and vengeful gods... All this and more wait inside the pages of Clockwork Cairo. Featuring stories from: George Mann, Gail Carriger, Nisi Shawl, Tee Morris & Pip Ballantine, David Barnett, Rod Duncan, Tiffany Trent, P. Djeli Clark, Jonathan Green, E. Catherine Tobler, Chaz Brenchley, K. Tempest Bradford, Benjanun Sriduangkaew and others...
In his tale of Cairo, Egypt, the author fuses "the excitement of travel with the stimulation of history."--Jacket.
Cairo University has been crucially important in shaping the national life of modern Egypt. In this history, Professor Reid explains the university's part in the national quest for independence from Britain, in the perennial tension between secular and religious world-views, and in the push for a more egalitarian society.
First published in 1844, The Englishwoman in Egypt is the collected observations of Sophia Poole, who lived in Cairo from 1842 until 1849 with her brother, the well known Orientalist Edward Lane, and her two children. During her residence, Poole learned Arabic and adopted Egyptian clothing that enabled her not only to observe day-to-day life in the streets and markets but also to enter hammams and harems and interact on an intimate level with Egyptian women of different classes. Poole ultimately had access, in fact, to the highest levels of society, including the family of the viceroy Mohamed Ali Pasha, and recorded her experiences there with the same eye for detail and understanding of unde...
As the twentieth century roared on, transformative technologies—from trains, trams, and automobiles to radios and loudspeakers—fundamentally changed the sounds of the Egyptian streets. The cacophony of everyday life grew louder, and the Egyptian press featured editorials calling for the regulation of not only mechanized and amplified sounds, but also the voices of street vendors, the music of wedding processions, and even the traditional funerary wails. Ziad Fahmy offers the first historical examination of the changing soundscapes of urban Egypt, highlighting the mundane sounds of street life, while "listening" to the voices of ordinary people as they struggle with state authorities for ...
A corrupt police officer trawls the streets of Cairo on the most important assignment of his career: the answer to the truth of all existence… A young journalist struggles over the obituary of a nightclub dancer… A man slowly loses his mind in one of the city’s new desert developments... There is a saying that, whoever you are, if you come to Cairo you will find a hundred people just like you. For over a thousand years, the city on the banks of the Nile has welcomed travellers from around the world. But in recent years Cairo has also been a stage for expressions of short-lived hope, political disappointments and a violent repression that can barely be written about. These ten short sto...
This comprehensive history analyses the role of labour in the medieval Islamic economy, studies women's and minority labour structures and explores doctrinal and religious approaches to labour. It includes an extensive dictionary of trade and occupational terms.
PLAYING CARDS IN CAIRO is a fly-on-the-wall account - like THE BOOKSELLER OF KABUL - of life (for western readers) in a strange and exotic environment. Hugh Miles lives in Cairo and is engaged to an Egyptian woman. Twice a week he plays cards with a small group of Arab, Muslim women and through this medium he explores their lives in modern Cairo, the greatest of Arab cities. It is a secretive, romantic, often deprived but always soulful existence for the women as they struggle with abusive husbands and philandering boyfriends. The book is a window onto a city - and a way of life - which is at a crucial juncture in its history. Hugh Miles, who knows the Arab world intimately, is the perfect guide.