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Civic Performance: Pageantry and Entertainments in Early Modern London brings together a group of essays from across multiple fields of study that examine the socio-cultural, political, economic, and aesthetic dimensions of pageantry in sixteenth and seventeenth-century London. This collection engages with modern interest in the spectacle and historical performances of pageantry and entertainments, including royal entries, progresses, coronation ceremonies, Lord Mayor's Shows, and processions. Through a discussion of the extant texts, visual records, archival material, and emerging projects in the digital humanities, the chapters elucidate the forms in which the period itself recorded its pu...
As a child, Claire's big brother Ray was always bright and inquisitive, and she looked up to him. But as the two became teenagers, Ray struggled to acquire the social skills that came more easily to Claire and their friends. Claire tried to help, pointing out what he should or shouldn't have said or done. Ray insisted that he wasn't the problem--"On my planet...", he would explain, there were no social climbers, no cocktail parties, no subtle hints or subliminal messages to miss. On his planet, the telling of little white lies would be a capital offence. At sixteen, sitting with him in the high school cafeteria, Claire vowed to find Ray's "planet." After graduation, Ray took a job as a lette...
The graphic novel is the most exciting literary format to emerge in the past thirty years. Among its more inspired uses has been the superlative adaptation of literary classics. Unlike the comic book abridgments aimed at young readers of an earlier era, today's graphic novel adaptations are created for an adult audience, and capture the subtleties of sophisticated written works. This first ever collection of essays focusing on graphic novel adaptations of various literary classics demonstrates how graphic narrative offers new ways of understanding the classics, including the works of Homer, Poe, Flaubert, Conrad and Kafka, among many others.
Shakespearean Echoes assembles a global cast of established and emerging scholars to explore new connections between Shakespeare and contemporary culture, reflecting the complexities and conflicts of Shakespeare's current international afterlife.
Exploring the idea of luxury in relation to a series of neighboring but distinct concepts including avarice, excess, licentiousness, indulgence, vitality, abundance, and waste, this study combines intellectual and cultural historical methods to trace discontinuities in luxury’s conceptual development in seventeenth-century England. The central argument is that, as ’luxury’ was gradually Englished in seventeenth-century culture, it developed political and aesthetic meanings that connect with eighteenth-century debates even as they oppose their so-called demoralizing thrust. Alison Scott closely examines the meanings of luxury in early modern English culture through literary and rhetoric...
American treatment systems overlook some of the most salient issues in Black mental health. The global social justice movement brought attention to obvious issues, but all challenges of living Black are not obvious. Much remains deeply embedded in overlooked historical factors, overlooked identity issues, overlooked clinical bias, overlooked losses, and overlooked strengths. LaVerne Collins brings those unspoken issues of Black life to the forefront of counseling conversations. The author looks deep into Black identities and unhides the psychological impact of Black racialization. The book considers the emotional weight of the historical presumption of guilt and the impact of shorter lifespans. Collins unearths the hidden sorrow, disenfranchised grief, and ambiguous losses imposed by racism. Each chapter brings overlooked and unspoken considerations into view; helping counselors develop culturally-sensitive case conceptualizations and interventions. The book invites counselors to reverse the deficit narratives associated with Black families, Black resistance, and the Black Church and see these as overlooked strengths.
This book traces the assemblage that comes into being in the spaces and experiences of childbirth. Charting the contributions of the multiple human and non-human actors that contribute to the birth experience, it offers a new perspective on childbirth that cuts across the often emotional debates about natural versus medicalised birth. Drawing on ethnographic interviews with mothers, midwives and obstetricians, it provides an insight into the collective endeavours that shape birth. In doing so, it also explores who does the work of childbirth, expanding the boundaries for who (and what) is responsible for this collective labour and highlighting the interdependencies that characterise it. Structured around eight chapters that each focus on a different actor in the birth space, the volume argues that pregnancy and childbearing brings us into new relationships: with ourselves, with the child to be born, our partners and families, those who care for us, and with more-than-human others.