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Shakespeare's Caliban
Shakespeare's Caliban examines The Tempest's "savage and deformed slave" as a fascinating but ambiguous literary creation with a remarkably diverse history. The authors, one a historian and the other a Shakespearean, explore the cultural background of Caliban's creation in 1611 and his disparate metamorphoses to the present time.
Caliban - his representation in Shakespeare's "The Tempest" and three film versions
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,3 (A), University of Potsdam (Anglistics), course: Hauptseminar für Literaturwissenschaft: 'The Tempest - Shakespeare's play and its film versions', language: English, abstract: This paper on Shakespeare’s Caliban from “The Tempest” aims at examining whether, and if in how far, the description and depiction of this character in the printed version and the film adaptations by John Gorrie, Derek Jarman and Jack Bender differ from each other. After a short summary of the play “The Tempest”, general information about the play will be given. In the main part, the description a...
Is He a Monster? - Caliban in William Shakespeare's 'The Tempest'
Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,5, University of Tubingen (Englisches Seminar), course: Proseminar II Literatur: The World and Shakespeare, 11 entries in the bibliography, language: English, abstract: "A salvage and deformed slave." With these words William Shakespeare describes the figure of Caliban in the dramatis person of his play The Tempest. For almost four centuries, literary critics have dealt with trying to answer the question how Shakespeare's character has to be regarded. Is Caliban to be considered as a monster representing humanity's bestial side including all its vices, and thereby arousing the audie...
Caliban's two faces in Shakespeare's play "The Tempest"
Academic Paper from the year 2016 in the subject Didactics for the subject English - Literature, Works, grade: 1,7, University of Würzburg, language: English, abstract: “A savage and deformed slave.” Shakespeare uses exactly these words to describe the figure of Caliban in the dramatis personæ of his play "The Tempest". For almost four centuries, literary critics have dealt with trying to answer the question how Shakespeare’s character has to be regarded. Is Caliban to be considered as a monster representing humanity’s bestial side including all its vices, and thereby arousing the audience’s disgust? Or has he rather to be looked at as the victim of an imperial tyrant – personified by Prospero – who arouses the spectator’s pity? Among Shakespeare’s stage characters, Caliban has been interpreted in many different ways. He has been represented in theatre and in literary criticism as a fish, a tortoise, an American Indian, and an African slave. He is said to be one of the most abstract and wildest characters in Shakespeare’s plays.
Constellation Caliban
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known.Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the ages...
Constellation Caliban
We are now in the Age of Caliban rather than in the Time of Ariel or the Era of Prospero, Harold Bloom claimed in 1992. Bloom was specifically referring to Caliban's rising popularity as the prototype of the colonised or repressed subject, especially since the 1980s. However, already earlier the figure of Caliban had inspired artists from the most divergent backgrounds: Robert Browning, Ernest Renan, Aimé Césaire, and Peter Greenaway, to name only some of the better known. Much has already been published on Caliban, and there exist a number of excellent surveys of this character's appearance in literature and the other arts. The present collection does not aim to trace Caliban over the age...
Caliban
Presents literary criticism focusing on Caliban, the grotesque character from Shakespeare's The Tempest who also appears in works by Robert Browning and W.H. Auden.
Caliban
Daniel Wilson (1816-92) brings together science and literary commentary in this 1873 exploration of evolutionary principles in The Tempest.
Caliban
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