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Calixthe Beyala
The most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an “authentic” African author and a proven literary “fake.” In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala’s efforts to position herself as a champion of women’s rights. Hitchcott pays equal attention to Beyala’s novels, tracing their explorations of the role of migration in the creation of personal identity.
French XX Bibliography
Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.
Black Ladies
Uwe Ommer, a sought-after commercial photographer based in New York and Paris, has made a name for himself with his own uncommissioned works, as this book eloquently attests. For the aesthete Uwe Ommer, the bodies of black women represent the epitome of beauty. His photographs are exactly what they show, no more and no less than a homage to female beauty. And of course that homage is paid in the perfect setting, the stunning landscape of Africa.
Gender in African Women's Writing
"This is a cogent analysis of the complexities of gender in the work of nine contemporary Anglophone and Francophone novelists. . . . offers illuminating interpretations of worthy writers . . . " —Multicultural Review "This book reaffirms Bessie Head's remark that books are a tool, in this case a tool that allows readers to understand better the rich lives and the condition of African women. Excellent notes and a rich bibliography." —Choice ". . . a college-level analysis which will appeal to any interested in African studies and literature." —The Bookwatch This book applies gender as a category of analysis to the works of nine sub-Saharan women writers: Aidoo, Bá, Beyala, Dangarembga, Emecheta, Head, Liking, Tlali, and Zanga Tsogo. The author appropriates western feminist theories of gender in an African literary context, and in the process, she finds and names critical theory that is African, indigenous, self-determining, which she then melds with western feminist theory and comes out with an over-arching theory that enriches western, post-colonial and African critical perspectives.
Afrique Sur Seine
Addresses the development since the 1950s of a new type of Francophone African novel created by first-generation African authors living in France. This book examines how these authors, men and women, part from mainstream African literature by exploring more personal avenues while retaining a shared interest in the community of African emigrants.
Black France
"[W]ithout a doubt one of the most important studies so far completed on literature in French grounded in the experiences of migrants of sub-Saharan African origin." —Alec Hargreaves, Florida State University France has always hosted a rich and vibrant black presence within its borders. But recent violent events have raised questions about France's treatment of ethnic minorities. Challenging the identity politics that have set immigrants against the mainstream, Black France explores how black expressive culture has been reformulated as global culture in the multicultural and multinational spaces of France. Thomas brings forward questions such as—Why is France a privileged site of civilization? Who is French? Who is an immigrant? Who controls the networks of production? Black France poses an urgently needed reassessment of the French colonial legacy.
Loukoum
Belleville is the African immigrant quarter of Paris, where seven year-old Loukoum lives with his family. While his father spends time having affairs and drinking in the cafe with fellow Africans, his father's two wives look after the children at home.
New Women's Writing in African Literature
African women writers have come a long way since the 1960s when they were hardly acknowledged or noticed as serious writers. In the past four decades their works have been steadily rising in quantity and quality. Today these writers are seriously redefining images of womanhood, providing new visions, and reshaping erstwhile distorted characterizations of African women in fiction. ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. North America: Africa World Press; Nigeria: HEBN
Your Name Shall be Tanga
Calixthe Beyala underlines the solidarity that unites women across racial, religious, class and national lines in this novel about a young woman dying in a West African prison cell.
