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"The housing projects built in Camden in the 1960s and 1970s when Sydney Cook was borough architect are widely regarded as the most important urban housing built in the UK in the past 100 years. Cook recruited some of the brightest talent available in London at the time and the schemes, which included Alexandra Road, Branch Hill, Fleet Road, Highgate New Town and Maiden Lane, set out a model of housing that continues to command interest and admiration from architects to this day. The Camden projects represented a new type of urban housing based on a return to streets with front doors. In place of tower blocks, the Camden architects showed how the required densities could be achieved without building high, creating a new kind of urbanism that integrated with, rather than broke from, its cultural and physical context. This book examines how Cook and his team created this new kind of housing, what it comprised, and what lessons it offers for today. New colour photographs combine with original black and white photography to give a fascinating 'then and now' portrayal not just of the buildings but also of the homes within and the people who live there."--Site web de l'éidteur.
Offers not only a close reading but also a film-historical contextualization of Phoenix, constituting the most significant and thorough study of Petzold's film to date. Christian Petzold's Phoenix (2014), a masterpiece from one of Germany's leading contemporary filmmakers, portrays a death-camp survivor's return to occupied Berlin just after the war has come to an end. Nelly, played by German film star Nina Hoss, returns badly wounded, her face covered in bandages, hoping that her German husband will still love her. Johnny fails to recognize her and instead offers her a role in an intricate criminal scheme. Petzold's film, which he scripted together with his frequent collaborator Harun Faroc...
The first English translation of a presciently modern portrayal of emerging feminist sensibilities in a nineteenth-century family, by one of Germany's leading pre-First World War writers.
Considers over sixty Hollywood films set in Austria, examining the film industry, the influence of domestic factors on images of a foreign country, and the persistence of clichés. Maria von Trapp, watching the final scene of The Sound of Music for the first time as "her" family escaped into Switzerland, exclaimed, "Don't they know geography in Hollywood? Salzburg does not border on Switzerland!" Hadshe thought about the beginning of the film, which transports viewers to "Salzburg, Austria in the last Golden Days of the Thirties," when the country was in fact suffering from extreme political and social unrest, she might haveasked, "Don't they know history either?" In The Sound of Music as we...
A collection of articles that analyses the role of the media in America from a deconstructionist viewpoint. This collection of original essays is a response to the paradigm shift that has taken place in cultural studies in the wake of postmodernism and poststructuralism. Such concepts as 'truth' or 'reality' have been increasingly called into question, since the realization that our experience of 'the real' is always mediated through an "empire of signs," as Roland Barthes put it. After a predominantly optimistic evaluation of the effects of the media in the 1960s (by Marshall McLuhan, Hans Magnus Enzensberger, and others), a growing awareness of the total manipulation of society by mass-med...
Camden Town perfectly embodies the cultural mix for which London is famed. Alongside the buzzing Lock market, the pubs and music venues and the eclectic shops, there is another Camden - impossible crowds, shameful poverty, bad housing, gang fights, murders...This book takes five landmarks as the starting point for a series of journeys into the layers of history and culture that make Camden Town. The World's End pub existed in various forms before Camden began. The Regent's Canal Bridge is where today's crowds flock to the locks and market, while Arlington House, just a block away, belongs to a parallel Camden of immigration and new beginnings, poverty and homelessness. No. 8 Royal College Street represents how, even with the first buildings of nineteenth-century Camden Town, social outsiders were attracted to the area. Meanwhile the Roundhouse, an engineering curiosity, was to become the revered centre of Camden's cultural scene.
New essays providing an account of the shaping beliefs, preoccupations, motifs, and values of Weimar Classicism.
Provides an aesthetic and historical overview of and new critical insights into Paul Wegener's great 1920 film, recognized at the time as a breakthrough in German cinema.
An engaging portrait of Hampstead Heath – a place rich not just in natural wonders but in history and monuments, emotions and memories, people and places. 'I enjoyed every inch of the way, from Parliament Hill to the Pergola... A late-life little masterpiece' Ferdinand Mount 'A love letter, both to the Heath and to his late wife' Islington Tribune 'An affectionate book which blends personal anecdote, history and interviews' Ham & High The eight hundred acres of Hampstead Heath lie just four miles from central London; and yet unlike the manicured inner-city parks, it feels like the countryside: it has hills and lakes, wild spots and tame spots. Hunter Davies has lived within a stone's throw...