Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Chat GPT. Retos y oportunidades de la Inteligencia Artificial Generativa
La era de la Inteligencia Artificial Generativa ha llegado para revolucionar todas las esferas de nuestra sociedad, y el ámbito jurÃdico no ha sido la excepción. Los avances tecnológicos en este campo están generando un impacto sin precedentes, y pueden desencadenar una transformación profunda en la profesión legal. En la presente obra, especialistas en la materia nos adentran en un interesante análisis sobre las implicancias y desafÃos que esta nueva era conlleva. Se abordan con detenimiento los retos más importantes que debemos superar como sociedad frente a la implementación de la Inteligencia Artificial Generativa. Es crucial comprender que su uso indiscriminado podrÃa acarre...
Inteligencia artificial y derecho, un reto social
¿La Inteligencia Artificial responde correctamente al reto social que implica su irrupción en la sociedad contemporánea, a las dudas de su real aplicación y a los beneficios y perjuicios que genera? ¿Y en el caso de los sistemas de AI aplicados al Derecho? O, lo que es lo mismo, ¿son realmente útiles para que los humanos podamos pedir o impartir mejor Justicia? En un paradigma de computación cognitiva, los usuarios humanos son los principales responsables de personalizar su propia solución utilizando una aplicación legal, pero la tecnologÃa de servicio legal estandarizada debe informar a los humanos de la necesidad de personalización y brindarles acceso personalizado a informaciÃ...
The Grotesque Dancer on the Eighteenth-century Stage
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in I...
Regina Mingotti: Diva and Impresario at the King's Theatre, London
Regina Mingotti was the first female impresario to run London's opera house. Born in Naples in 1722, she was the daughter of an Austrian diplomat, and had worked at Dresden under Hasse from 1747. Mingotti left Germany in 1752, and travelled to Madrid to sing at the Spanish court, where the opera was directed by the great castrato, Farinelli. It is not known quite how Francesco Vanneschi, the opera promoter, came to hire Mingotti, but in 1754 (travelling to England via Paris), she was announced as being engaged for the opera in London 'having been admired at Naples and other parts of Italy, by all the Connoisseurs, as much for the elegance of her voice as that of her features'. Michael Burden...
Opera Premieres
None
Opera Premieres
A multi-volume set giving detailed information on every aspect of opera - over 100,000 entries. Improves on Steiger's Opernlexikon by including two additional data-categories for each work (language of text and literary sources) and by covering composers who have appeared since the end-date of Steiger's work (1934).
