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When Holly applies for a job at the Paradise - one of the city's oldest cinemas, squashed into the ground floor of a block of flats - she thinks it will be like any other shift work. She cleans toilets, sweeps popcorn, avoids the belligerent old owner, Iris, and is ignored by her aloof but tight-knit colleagues who seem as much a part of the building as its fraying carpets and endless dirt. Dreadful, lonely weeks pass while she longs for their approval, a silent voyeur. So when she finally gains the trust of this cryptic band of oddballs, Holly transforms from silent drudge to rebellious insider and gradually she too becomes part of the Paradise - unearthing its secrets, learning its history and haunting its corridors after hours with the other ushers. It is no surprise when violence strikes, tempers change and the group, eyes still affixed to the screen, starts to rapidly go awry...
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LONGLISTED FOR THE DYLAN THOMAS PRIZE 2024 GUARDIAN BOOK OF THE YEAR 2023 TELEGRAPH BOOK OF THE YEAR 2023 A little girl throws up Gloria-Jean's teeth after an explosion at the custard factory; Pax, Alexander, and Angelo are hypnotically enthralled by a book that promises them enlightenment if they keep their semen inside their bodies; Victoria is sent to a cursed hotel for ailing girls when her period mysteriously stops. In a damp, putrid spa, the exploitative drudgery of work sparks revolt; in a Margate museum, the new Director curates a venomous garden for public consumption. In Grudova's unforgettably surreal style, these stories expose the absurdities behind contemporary ideas of work, Britishness and art-making, to conjure a singular, startling strangeness that proves the deft skill of a writer at the top of her game.
'Our mother rather lost interest in us after the thirst got hold of her and, although our grandfather was vaguely fond of us, he certainly wasn't interested.'
In this extraordinary, semi-autobiographical novel, Penelope Mortimer depicts a married woman's breakdown in 1960s London. With three husbands in her past, one in her present and a numberless army of children, Mrs Mortimer is astonished to find herself collapsing one day in Harrods. This strange, unsettling novel, shot through with black comedy, is a moving account of one woman's realisation that marriage and family life may not, after all, offer all the answers to the problems of living. 'Beautiful ... almost every woman I can think of will want to read this book' Edna O'Brien
A story of faith and fraud in post-Civil War America told through the lens of a photographer who claimed he could capture images of the dead
Mary Gaitskill's tales of desire and dislocation in 1980s New York caused a sensation with their frank, caustic portrayals of men and women's inner lives. As her characters have sex, try and fail to connect, play power games and inflict myriad cruelties on each other, she skewers urban life with precision and candour. 'Stubbornly original, with a sort of rhythm and fine moments that flatten you out when you don't expect it, these stories are a pleasure to read' Alice Munro 'An air of Pinteresque menace hangs over these people's social exchanges like black funereal bunting ... Gaitskill writes with such authority, such radar-perfect detail' Michiko Kakutani, The New York Times
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Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the William M B Berger Prize for British Art History 2022 Guardian Art Book of the Year 2021 A dazzling, boldly original work that tells the powerful and passionate stories of a group of extraordinary women as glimpsed through their still life paintings What is contained in a still life – and what falls out of the frame? For women artists in the early twentieth century, such as Dora Carrington, Vanessa Bell and Gwen John, this art form was a conduit for their lives, their rebellions, their quietly subversive loves for men and women. But for every artist whom we remember, there are those whose work is almost forgotten. In This Dark Country, Rebecca Birrell conducts a dazzling fusion of group biography and art criticism, exploring, from the celebrated to the overlooked, the structures of intimacy that make – and dismantle – our worlds. 'A brilliant book ... A truly radical aesthetics fit for the twenty-first century at last!' - Thérèse Oulton '[A] wonderful book. I am impressed and fascinated. It is beautifully written' - Celia Paul
From the author of The Yips and Burley Cross Postbox Theft comes an epic novel of startling originality.