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Marine Fishes of Arctic Canada is an accessible and up-to-date study on the diverse marine fish population existing in Canadian waters.
Based on the acclaimed reference Lichens of North America, this resource for the classroom, field, and laboratory presents updated and expanded keys for the identification of over 2,000 species of lichens indigenous to the continent, twice the number covered by previous keys. The book includes a glossary illustrated with photographs by Sylvia Duran Sharnoff and Stephen Sharnoff and drawings by Susan Laurie-Bourque, all from the original book. The revised keys are an indispensable identification tool for botanists, students, scientists, and enthusiasts alike.--COVER.
A complete field guide and laboratory manual for shell collectors, with descriptions and lovely watercolour illustrations of every species of freshwater mollusc found in Canada. Clarke's identification keys and descriptions are extremely useful identification tools. Clarke also deals with mollusc ecology and our relationship to molluscs. 1981
Proceedings of the workshop, covering museum-based scientific activity, policy and practice; natural science collections in museums; a definition, custodianship, and interpretation of the technological heritage; and the problems, theory, and practice of sharing knowledge with the public.
The ways in which Aboriginal people and museums work together have changed drastically in recent decades. This historic process of decolonization, including distinctive attempts to institutionalize multiculturalism, has pushed Canadian museums to pioneer new practices that can accommodate both difference and inclusivity. Ruth Phillips argues that these practices are "indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and ...
'The National Museum of Man grows out of the landscape and is indiscernible from it. It moves and flows with the contours of the land.' ? Douglas Cardinal. In 1982, the Government of Canada engaged in the design and construction of a new National Museum of Man ? now the Canadian Museum of History, an iconic building on the shores of the Ottawa River. Based on the strength of his vision, Douglas Cardinal was selected from among 12 distinguished finalists as the architect of record. Today, the Canadian Museum of History is the largest and most visited museum in the country, and the building is a must-see destination for tourists visiting the region. In his Design Principles, Cardinal reflects on his vision for the building and its surroundings ? how the grand curvilinear forms allow visitors to feel the Museum's connection with nature. Moving through its spaces is an extraordinarily interesting experience that is truly Canadian.
This volume presents Logan's 1845 field journal, written on a geological expedition up the Ottawa River from Bytown to Lake Timiskaming. The journal is sprinkled with fascinating stories of daily life during the expedition, supplemented with Logan's sketches of the landscape and geological features.
"The selection of species to include in this book was based on two principles: 1. Those that in recent times had a viable, naturally occurring wild population in Canada, its continental islands, or in the marine waters of its continental shelf ... [and] 2. Species introduced into Canada by humans"--P. xiv.