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Canadian Literature in English
When "Canadian Literature in English" was first published by Longman in 1985 it was described (in the "Modern Language Review") as a standard reference work on the subject' and the best critical account of its subject that we possess so far'. The book was released in London and New York, as such things were done at the time, but never distributed particularly well in Canada, where it faded, rapidly, from view. W. J. Keith, writing in the Preface to the Revised Edition, admits his first inclination was to embark on a total rewrite of the Longman edition. On further consideration, however, Keith came to realize that the 1985 publication was completed at the close of a major phase in the Canadi...
An Independent Stance
Part One of this strongly worded, informed, and wide-ranging collection examines key issues for the future of Canadian criticism. Part Two offers new readings of important works by Grove, Wilson, MacLennan, Davies, Laurence, Hood, Wiebe, Hodgins, and Atwood. As W.J. Keith argues, `We still have a mission: to have our literature recognized as an essential reflection of our national life. This is what I mean by retrenchment and consolidation. Literature can survive without literary criticism but it cannot survive if it is unknown and unread. It is criticism's prime function at the present time to see that it is both known and read with that mature enjoyment which is a combination of emotional ...
The Cambridge Companion to Canadian Literature
A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.
When Words Deny the World
`It's the liveliest, most cogently argued, most provocative and most infuriatingly self-satisfied work of literary criticism to be published in this country in at least the last decade.'
Ripostes
Ripostes is a collection of essays on some salient features of the Canadian literary landscape, a number of which were first published in the Toronto Star, many of which appear in these pages for the first time. Included are essays on Atwood, Findley, Ondaatje and Margaret Laurence, as well as thematic explorations of Canadian literature such as an account of the demise of the Survival school of Canadian writing, a look at the recent history of the Writers' Union of Canada, an examination of the role of fathers in Canadian fiction, a study of the strange attraction of many of our writers to the occult, and so on. The tone is considered, and critical rather than celebratory, although the essays are respectful of the genuine achievements of Canadian literature in the past few decades. They try to clear the air, as it were, of boosterism, political correctness, and other attitudes which hinder the appreciation and reception of good writing. This is an honest re-appraisal of Canadian literature, undertaken at a time when we need no longer be overcome with relief and euphoria over the fact that some of our authors are now world famous, or at least world famous in Hoboken, New Jersey.
Profiles in Canadian Literature
A series of essays on Canadian authors profiling the writers work, providing insight into themes, and giving a chronology of the authors life.
Canadian Literature
An important critical study of Canadian literature, placing internationally successful anglophone Canadian authors in the context of their national literary history. While the focus of the book is on twentieth-century and contemporary writing, it also charts the historical development of Canadian literature and discusses important eighteenth- and nineteenth-century authors. The chapters focus on four central topics in Canadian culture: Ethnicity, Race, Colonisation; Wildernesses, Cities, Regions; Desire; and Histories and Stories. Each chapter combines case studies of five key texts with a broad discussion of concepts and approaches, including postcolonial and postmodern reading strategies and theories of space, place and desire. Authors chosen for close analysis include Margaret Atwood, Michael Ondaatje, Alice Munro, Leonard Cohen, Thomas King and Carol Shields.
Clearing the Ground
Examining its current state and looking toward the future, this book offers a compelling look at Canadian literary criticism.
