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Original Scholarly Monograph
By looking at state-sponsored memory projects, such as memorials, commemorations, and historical museums, this book reveals that the East German communist regime obsessively monitored and attempted to control public representations of the past to legitimize its rule. It demonstrates that the regime’s approach to memory politics was not stagnant, but rather evolved over time to meet different demands and potential threats to its legitimacy. Ultimately the party found it increasingly difficult to control the public portrayal of the past, and some dissidents were able to turn the party’s memory politics against the state to challenge its claims of moral authority.
The Spring 2014 edition of the Pitkin Review, the literary journal written, edited, and produced by students enrolled in the Goddard College MFA Creative Writing Program. Including works from students at the Plainfield, Vermont and Port Townsend, Washington campuses.
There is growing enthusiasm in the scientific community about the prospect of mapping and sequencing the human genome, a monumental project that will have far-reaching consequences for medicine, biology, technology, and other fields. But how will such an effort be organized and funded? How will we develop the new technologies that are needed? What new legal, social, and ethical questions will be raised? Mapping and Sequencing the Human Genome is a blueprint for this proposed project. The authors offer a highly readable explanation of the technical aspects of genetic mapping and sequencing, and they recommend specific interim and long-range research goals, organizational strategies, and funding levels. They also outline some of the legal and social questions that might arise and urge their early consideration by policymakers.
Living cells have evolved many ways of coping with metabolic events and environmental influences that damage DNA. These mechanisms, and the frequent progression to cancer that results when they go awry, are rev iewed in this volume by authors from over sixty of the world's leading laboratories. The topics discussed include DNA repair, mutagenesis and other damage-tolerance functions, checkpoint control, apoptosis, and adaptation. They draw from studies on human and yeast cells. Current, but with a valuable historical perspective, this volume has the depth and lasting value typical of this most prestigious series and is esse ntial reading for investigators of DNA replication, cell cycle control, and tumorigenesis.
Making a neighborhood of a nation -- Professor Morse's lightning -- Antimonopoly -- The new postalic dispensation -- Rich man's mail -- The talking telegraph -- Telephomania -- Second nature -- Gray wolves -- Universal service -- One great medium?
A close examination of religious texts illuminates the way in which parish priests dealt with their female parishioners in the middle ages.
If Moses, Jesus, and the Prophet Muhammad were to meet, what would they tell one another about Judaism, Christianity, and Islam? Three of today’s leading scholars explore the topics such a conversation might entail in this comparative study of the three monotheistic faiths. In systematic, side-by-side descriptions, they detail the classical theologies of Judaism, Christianity, and Islam, and the authoritative writings that convey those theologies—Torah, Bible, and Qur’ān. They then compare and contrast the three faiths, which, though distinct and autonomous, address a common set of issues. While asserting that this book is by no means a background source for issues and conflicts among contemporary followers of Judaism, Christianity, and Islam, the authors nevertheless aspire to reveal among the three a common potential for mutual understanding. This publication has also been published in paperback, please click here for details.
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically chan...