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Voodoo Hypothesis
Voodoo Hypothesis is a subversion of the imperial construct of "blackness" and a rejection of the contemporary and historical systems that paint black people as inferior, through constant parallel representations of "evil" and "savagery." Pulling from pop culture, science, pseudo-science and contemporary news stories about race, Lubrin asks: What happens if the systems of belief that give science, religion and culture their importance were actually applied to the contemporary "black experience"? With its irreverence toward colonialism, and the related obsession with post-colonialism and anti-colonialism, and her wide-ranging lines, deftly touched with an intermingling of Caribbean Creole, English patois and baroque language, Lubrin has created a book that holds up a torch to the narratives of the ruling class, and shows us the restorative possibilities that exist in language itself.
The Dyzgraphxst
Windham-Campbell Prize, Winner OCM Bocas Prize for Caribbean Literature, Winner OCM Bocas Prize for Caribbean Literature Poetry, Winner Griffin Poetry Prize, Winner Derek Walcott Prize for Poetry, Winner Rebel Women Lit Caribbean Readers' Awards, Finalist Governor General's Literary Award for Poetry, Finalist Trillium Book Award for Poetry, Finalist Raymond Souster Award, Longlist Pat Lowther Memorial Award, Longlist Quill & Quire 2020 Books of the Year: Editor’s Picks CBC Best Canadian Poetry of 2020 Winnipeg Free Press Top 10 Poetry Picks of 2020 The Paris Review, Contributor's Edition, Best Books of 2020 The Dyzgraphxst presents seven inquiries into selfhood through the perennial figure Jejune. Polyvocal in register, the book moves to mine meanings of kinship through the wide and intimate reach of language across geographies and generations. Against the contemporary backdrop of intensified capitalist fascism, toxic nationalism, and climate disaster, the figure Jejune asks, how have I come to make home out of unrecognizability. Marked by and through diasporic life, Jejune declares, I was not myself. I am not myself. My self resembles something having nothing to do with me.
Watch Your Head
A warning, a movement, a collection borne of protest. In Watch Your Head, poems, stories, essays, and artwork sound the alarm on the present and future consequences of the climate emergency. Ice caps are melting, wildfires are raging, and species extinction is accelerating. Dire predictions about the climate emergency from scientists, Indigenous land and water defenders, and striking school children have mostly been ignored by the very institutions – government, education, industry, and media – with the power to do something about it. Writers and artists confront colonization, racism, and the social inequalities that are endemic to the climate crisis. Here the imagination amplifies and humanizes the science. These works are impassioned, desperate, hopeful, healing, transformative, and radical. This is a call to climate-justice action. Edited by Madhur Anand, Stephen Collis, Jennifer Dorner, Catherine Graham, Elena Johnson, Canisia Lubrin, Kim Mannix, Kathryn Mockler, June Pak, Sina Queyras, Shazia Hafiz Ramji, Rasiqra Revulva, Yusuf Saadi, Sanchari Sur, and Jacqueline Valencia Proceeds will be donated to RAVEN and Climate Justice Toronto.
Sounding Ground
Winner of: 2015 OCM Bocas Prize for Caribbean Literature Vladimir Lucien is a young poet with so many gifts; his poetry is intelligent, musical, gritty in observation, graceful in method. His poems contain stories of ancestors, immediate family, the history embedded in his language choices as a St Lucian writer, and heroes such as Walter Rodney, C. L. R. James, Kamau Brathwaite, and a local steelbandsman. Although never overtly political, there's an oblique and often witty politics embedded in the poems, as where observing the rise of a grandfather out of rural poverty into the style of colonial respectability, he writes of the man "who eat his farine and fish / and avocado in a civilize fight between / knife and fork and etiquette on his plate." This is a collection that is alive with its conscious tensions both in subject matter and form. There's a tension between the vision of ancestors, family, and of the poet himself as being engaged in the business of acting in the world and building on the past, and a sharp awareness of the inescapability of age's frailty, the decay of memory and of death.
Pluviophile
Pluviophile veers through various poetic visions and traditions in search of the sacred within and beyond language. Its poems continually revitalize form, imagery and sonancy to reconsider the ways we value language, beauty and body. The collection houses sonnets and other shorter poems between larger, more meditative runes. One of these longer poems, “The Place Words Go to Die,” winner of The Malahat Review’s 2016 Far Horizons Award for Poetry, imagines an underworld where words are killed and reborn, shedding their signifiers like skin to re-enter a symbiotic relationship with the human, where “saxum [is] sacrificed and born again as saxifrage.” From here the poems shift to diverse locations, from Montreal to Kolkata, from the moon to the gates of heaven.
The Blue Clerk
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world.
The Unpublished City
Orient yourself in the city with these nineteen works of creative non-fiction that offer a different, more multifarious wayfinding. In this second volume of The Unpublished City, imagination is the means by which these writers find detours, shortcuts and convergences. Even as they are inventing and imagining the city, these emerging Toronto-based writers find themselves marked through tender and violent encounters. For them, the city is more than backdrop, but a witness, an accomplice and a lover.This anthology's maps of experience bring us beyond the city's limits to the cul-de-sacs and vertical dimensions of Mississauga, Vaughan, North York and Scarborough. They follow buried creeks and mi...
On Property
Nominated for the Heritage Toronto Book Award • Longlisted for the Toronto Book Awards • A Globe and Mail Book of the Year • A CBC Books Best Canadian Nonfiction of 2021 From plantation rebellion to prison labour's super-exploitation, Walcott examines the relationship between policing and property. That a man can lose his life for passing a fake $20 bill when we know our economies are flush with fake money says something damning about the way we’ve organized society. Yet the intensity of the calls to abolish the police after George Floyd’s death surprised almost everyone. What, exactly, does abolition mean? How did we get here? And what does property have to do with it? In On Property, Rinaldo Walcott explores the long shadow cast by slavery’s afterlife and shows how present-day abolitionists continue the work of their forebears in service of an imaginative, creative philosophy that ensures freedom and equality for all. Thoughtful, wide-ranging, compassionate, and profound, On Property makes an urgent plea for a new ethics of care.
Tonguebreaker
In their fourth collection of poetry, Lambda Literary Award-winning poet and writer Leah Lakshmi Piepzna-Samarasinha continues her excavation of working-class queer brown femme survivorhood and desire. Tonguebreaker is about surviving the unsurvivable: living through hate crimes, the suicides of queer kin, and the rise of fascism while falling in love and walking through your beloved’s Queens neighborhood. Building on her groundbreaking work in Bodymap, Tonguebreaker is an unmitigated force of disabled queer-of-color nature, narrating disabled femme-of-color moments on the pulloff of the 80 in West Oakland, the street, and the bed. Tonguebreaker dreams unafraid femme futures where we live—a ritual for our collective continued survival.
Problematica
Bringing together the very best of Murray's poetry with an introduction by Adam Sol, a selection of poems from Murray's previous collections, as well as previously unpublished work and new work.
