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The Chamber Cantatas of Antonio Vivaldi
  • Language: en
  • Pages: 256

The Chamber Cantatas of Antonio Vivaldi

Detailed survey of Vivaldi's unjustly neglected chamber cantatas, showing them to stand comparison with his more famous works. Vivaldi's chamber cantatas for solo voice, some forty in total, are steadily gaining in popularity: but because of their relatively small place in the oeuvre of a composer famed for his productivity, and also on account of the general scholarly neglect of their genre, they are little discussed in the literature. This book comprehensively explores their literary and musical background, their relation to the composer's biography, the chronology of their composition, and their musical qualities. Each cantata is discussed individually, but there is also a broader consideration of aspects concerning them collectively, such as performance practice, topical allusion, and the conventions of Italian verse. The author argues that while Vivalid's cantatas are not as innovative as his concertos and operas, he produced several masterpieces in the genre that rank with his best music. MICHAEL TALBOT is Emeritus Professor of Music at the University of Liverpool.

The Cantatas of J. S. Bach
  • Language: en
  • Pages: 985

The Cantatas of J. S. Bach

A work-by-work commentary on the Bach cantatas by the world's most famous Bach scholar, now available in English and in paperback for the first time. It includes all the cantata librettos in German-English parallel text. An indispensable reference book for anyone listening to, performing in, or studying any of the Bach cantatas.

The World of the Bach Cantatas: Johann Sebastian Bach's early sacred cantatas
  • Language: en
  • Pages: 252

The World of the Bach Cantatas: Johann Sebastian Bach's early sacred cantatas

The cantatas of Johann Sebastian Bach are among the best known and most frequently performed musical works of the Baroque period. In an illuminating discussion of the musical, literary, aesthetic, and theological aspects of the composers early cantatas, leading Bach scholars place the works in their historical and biographical context. 85 photos.

Analyzing Bach Cantatas
  • Language: en
  • Pages: 305

Analyzing Bach Cantatas

Annotation In this book, noted Bach expert Eric Chafe combines theological, historical, analytical, and interpretive approaches to the cantatas to offer readers and listeners alike the richest possible experience of these works.

The Standard Cantatas
  • Language: en
  • Pages: 382

The Standard Cantatas

  • Type: Book
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  • Published: 1887
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  • Publisher: Unknown

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The Literary Background to Bach's Cantatas
  • Language: en
  • Pages: 140

The Literary Background to Bach's Cantatas

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Commentaries on the Cantatas of Johann Sebastian Bach
  • Language: en
  • Pages: 416

Commentaries on the Cantatas of Johann Sebastian Bach

Internationally recognized Bach authority Hans-Joachim Schulze authored a 225-part series on the cantatas of Johann Sebastian Bach. In this collection, James A. Brokaw II translates a selection of the essays, illuminating a wide range of biographical and cultural features of Bach’s life and creative milieu. Schulze’s lively and engaging discussions provide a wealth of rewarding insights and perspectives focusing on individual cantatas, their texts, and the questions of chronology and context that attend them. The University of Illinois Press has paired the volume with a special web-based companion overseen by the translator and hosted by the Illinois Open Publishing Network. This online resource includes Brokaw’s translations of all 225 of Schulze’s essays alongside digital tools for searching, sorting, and bundling the commentaries according to date of composition, position within the liturgical church year sequence, and librettist.

The Eighteenth Century French Cantata
  • Language: en
  • Pages: 304

The Eighteenth Century French Cantata

This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.

Six Chamber Cantatas with Strings (1708)
  • Language: it
  • Pages: 201

Six Chamber Cantatas with Strings (1708)

During the first decade of the eighteenth century, a new generation of Italian composers brought the latest styles to a Vienna lagging behind the musical innovations that were occurring in cities such as Venice, Rome, and Naples. Among the intrepid individuals to join the Habsburg court was the north Italian composer Antonio Maria Bononcini (1677–1726). When Antonio began his service to the Habsburg emperor, he was still a young and little-known composer, but it was in Vienna that he distinguished himself as one of his generation’s most gifted composers of dramatic vocal music. The six cantatas by Antonio Bononcini found in this edition, from the Viennese manuscript A-Wn, Mus.Hs.17607, a...

The Standard Cantatas - Their Stories, Their Music and Their Composers
  • Language: en
  • Pages: 368

The Standard Cantatas - Their Stories, Their Music and Their Composers

  • Type: Book
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  • Published: 2008-12-17
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  • Publisher: Hamlin Press

Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.