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Seeing the restrictions of former studies in Comparative Literature and aiming to amend these deficiencies, the author of this book mainly discusses the major theoretical significance and academic value of the Variation Theory in the whole process of the development of Comparative Literature in the world. In China the seminal comparative study of literature among different cultures can be dated back to ancient China, while the founding of comparative literature as a distinct academic discipline has to be largely owing to the influence of the West. The modern Chinese study of comparative literature formed its uniqueness under Western influence. The direct influence of the translation of weste...
From the perspective of critical cultural sociology, this book delves into the intertwining relations of cultural transformation and social evolution, illuminating contemporary Chinese culture’s landscape and underlying logic since the 1980s. With a special focus on the tensions among politics, economy, and culture itself, this book examines the transitions of Chinese culture from tradition to the modern age. It expounds the cultural differentiation and its effect in contemporary China. Within this framework, the author addresses some key issues and phenomena that figure in the cultural scene of modern China, ranging from the crisis of Chinese cultural identity in the context of globalization, the media culture, and its impacts on everyday life, to the visual culture and social transformation. Offering a panoramic view of Chinese contemporary culture, literature, arts, and society, this title will serve as an essential read for scholars of China studies, Cultural studies, and visual culture, as well as anyone interested in what’s going on in Chinese contemporary culture.
Bringing together 16 articles by renowned scholars from around the globe, this volume offers a multi-dimensional view of comparative and world literature. Drawing on the scope of these scholars’ collective intellects and insights, it connects disparate research contexts to illuminate the multi-dimensional views of related areas as we step into the third decade of the 21st century. The book will be of particular interest to scholars working in comparative literary and cultural studies, and to readers interested in the future of literary studies in a cross-culturized world.
This book views the Dutch sinologist, Robert van Gulik’s Judge Dee mysteries as a hybrid East–West form of detective fiction and uses the concept of transculturation to discuss their hybrid nature with respect to their sources, production, and influence. The Judge Dee mysteries authored by Robert van Gulik (1910–1967) were the first detective stories to be set in ancient China. These hybrid narratives combine Chinese historical figures, traditional Chinese crime literature, and Chinese history and material culture with ratiocinative methods and psychoanalytic themes familiar from Western detective fiction. This new subject and detective image won a global readership, and the book discu...
This book is a study of knowledge production about China and the Chinese civilization and as such it is a critique of the ways in which knowledge about the Chinese civilization is produced. It is not primarily intended as one that sets out to expose biases and prejudices against China, correct errors and misrepresentations of Chinese civilization, and dispute misperceptions and misinterpretations of Chinese materials, although all these issues do occur in the book. The overall objective is to get behind and beneath all these problems in order to uncover the motivations, mental frameworks, attitudes, and reasons for the abovementioned phenomena, which the author terms "Sinologism".
In the vast majority of literature on 'Chinese nationalism' the distinction between nation and state is rarely made, consequently nationalism usually appears as loyalty to the state rather than identification with the nation. Yet, since 1989, both the official configuration of the nation and the state's monopolized right to name the nation have come under rigorous challenge. Cultural Nationalism in Contemporary China relocates the discussion of nationalism to within a more contemporary framework which explores the disjunction between the people and the state and the relationship of each to the nation. With its challenging exploration of one of the most neglected aspects of identity in China, this book should appeal to Asianists, China watchers and all of those with an interest in cultural and sociological phenomena in East Asia.
The multi-dimensional model of cross-cultural research was put forward as an alternative to the model of Sino-western dualism which sees China and the West as two entirely different entities. In order to break with this dualistic model, the spatial dimension should be separated from the temporal dimension, allowing the words “China” and “the West” to recover their original meaning of spatial dimensions. This, in turn, reconceptualises the equal relationship between China and the West, and seeks the possibilities and pathways of cross-cultural understanding and dialogue in a global context. This book is composed of two parts: the spatial dimension of cross-cultural research and the te...
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As the first book to introduce and analyze cultural studies in contemporary China, this volume is an important resource for Western scholars wishing to understand the rise and development of cultural studies in China. Organized according to subject, it includes extensive material examining the relationships between culture and politics, as well as culture and institutions in contemporary China. Further, it discusses the development of cultural debates.
Bringing together 17 articles by renowned scholars from around the globe, this volume offers a multi-dimensional view of comparative and world literature. Drawing on the scope of these scholars’ collective intellects and insights, it connects disparate research contexts to illuminate the multi-dimensional views of related areas as we step into the third decade of the 21st century. The book will be of particular interest to scholars working in comparative literary and cultural studies and to readers interested in the future of literary studies in a cross-culturized world.