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Rebirth of the English Comic Strip
Rebirth of the English Comic Strip: A Kaleidoscope, 1847–1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a “rebirth” because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780–c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John...
The Inking Woman
Companion to exhibition held at the Cartoon Museum, London, in 2017.
Drawing Cartoons
Based on the Learn to Draw series, this bumper gift book for beginners is full of practical advice on drawing a wide range of cartoons, including comics, animated cartoons and caricatures. The text covers the essential aspects of drawing all types of cartoons and should prove a useful introduction for the budding cartoonist. It contains advice on the tools and equipment needed and all the techniques are very clearly and simply described, with numerous step-by-step examples and demonstrations, including over 400 cartoons and caricatures.
Africans in English Caricature 1769-1819
"This book explores how people of African descent were represented in English caricature across the eighteenth century. It examines how the politics and morality of the transatlantic slave trade were negotiated through visual humor, and studies the ways in which prejudice was articulated in rude design."--Publisher's description.
Comics and Stuff
Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves now For most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of...
The Little Book of Cartooning & Illustration
In The Little Book of Cartooning & Illustration, beginning cartoonists, animators, and illustrators will discover key concepts associated with learning the art of traditional cartooning and animation. With this guide, dozens of tips from the pros will help you find the materials and tools you need to develop your own unique style. A combination of creative step-by-step projects and open practice areas offer encouragement and invite participation for those artists who want to put their newfound skills to immediate use. You'll learn all the cartooning and animation tricks of the trade, including: The squash and stretch principle Exaggerating details Rendering faces and expressions Anthropomorp...
Comic Art, Creativity and the Law
Graphic novels and comics have launched characters and stories that play a dominant role in contemporary popular culture throughout the world. The extensive revisions in this second edition of Comic Art, Creativity and the Law update the author’s analysis of important changes at the intersection of law and comics, featuring an examination of how recent cases will affect the creative process as applied to comic art.
How to Draw Cartoons for Comic Strips
Shows how to draw cartoon people, dogs, cats, and birds, explains how to make animals act like people, and discusses composition, dialogue balloons, and layout
High Spirits
The absurdities of fashion, the perils of love, political machinations and royal intrigue were the daily subject matter of Thomas Rowlandson, one of the leading caricaturists of Georgian England. Rowlandson was working at a time when English satirical prints were prized by collectors across Europe. A number of the works in the exhibition were purchased by George, Prince of Wales, later Prince Regent and King George IV. Ironically the Prince was often the butt of caricaturists' jokes and sometimes tried to prevent the publication of images that he felt were particularly offensive. Through Rowlandson's drawings and prints, the exhibition examines life at the turn of the 19th century. 0Exhibition: The Queen's Gallery, Palace of Holyroodhouse, Edinburgh, UK (11.2013).
