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Pesquisar com a escola
“não habitar a escola como meros espectadores, mas como ativos inquiridores, atuantes na sua construção cotidiana” (GALLO, MENDONÇA, 2020, p.15) As palavras escolhidas como epígrafe desta apresentação materializam o convite que desejamos fazer aos leitores deste livro. Enquanto pesquisadores, professores e estudantes não podemos agir como meros espectadores que apenas habitam o espaço da escola. Tal postura faria de nós apenas reprodutores de práticas historicamente enraizadas e naturalizadas no e pelo cotidiano escolar. No lugar disso, assumimos a postura de inquiridores da escola, porém não no sentido de julgadores do que se passa e do que se faz na escola. Tomar o lugar de ativos inquiridores da escola significa interrogar-se constantemente sobre as suas práticas, seus saberes, suas verdades e seus modos de ser no espaço/tempo contemporâneo. É esse o exercício que tentamos fazer neste livro e que convidamos os leitores a partilhar conosco. Um exercício que não parta da “escola em sua generalidade, mas se ocupe sempre de uma escola que pulsa, vive e ressoa em todos os seus habitantes” (GALLO, MENDONÇA, 2020, p. 14).
Principles, Definitions and Model Rules of European Private Law
In this volume, the Study Group and the Acquis Group present the first academic Draft of a Common Frame of Reference (DCFR). The Draft is based in part on a revised version of the Principles of European Contract Law (PECL) and contains Principles, Definitions and Model Rules of European Private Law in an interim outline edition. It covers the books on contracts and other juridical acts, obligations and corresponding rights, certain specific contracts, and non-contractual obligations. One purpose of the text is to provide material for a possible "political" Common Frame of Reference (CFR) which was called for by the European Commission's Action Plan on a More Coherent European Contract Law of January 2003.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Havana Year Zero
Sex, lies, and scientific history collide in 1993 Havana. It was as if we’d reached the minimum critical point of a mathematical curve. Imagine a parabola. Zero point down, at the bottom of an abyss. That’s how low we sank. The year is 1993. Cuba is at the height of the Special Period, a widespread economic crisis following the collapse of the Soviet bloc.For Julia, a mathematics lecturer who hates teaching, this is Year Zero: the lowest possible point. But a way out appears: the search for a missing document that will prove the telephone was invented in Havana, secure her reputation, and give Cuba a purpose once more. What begins as an investigation into scientific history becomes a tangle of sex, friendship, family legacies, and the intricacies of how people find ways to survive in a country at its lowest ebb.
In Search of Belonging
A substantial anthology giving voice to the experience of transracial adoption in the UK through poetry, art, autobiography, memoir and oral testimony from over 50 adoptees.
Animacies
Rethinks the criteria governing agency and receptivity, health and toxicity, productivity and stillness
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
