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The ball
In a fascinating story of 220 pages, through a selection of more than 300 images from 65 archives in America, Europe and Asia; the Mexican Football Federation and Cooperativa La Joplin celebrate, in an unprecedented and playful way, one of the great contributions of Mexico to all humanity: the ball. The first half of the book covers the remote origin of this claim, the symbolism and myth, the culture and art in Mesoamerica to answer all of the questions that may arise for those familiar and unfamiliar with the subject. The second part responds to the immediate question: what about the other balls? These are mainly in Asia and Europe. And the third narrates the evolution of the most popular ball of humanity: the football. And amidst all of this there is a convergence of childhood, math, humor, presidents and passion… Through an investigation of two years, this book celebrates one of the most influential objects in the culture of man, and of course, one of the greatest Mexican legacies. And beyond a history that provides much pride, it entails an ancient sense of joy and fun. Endearing brotherhood: culture and sport.
Holy Presence, Holy Preaching
Almost 500 years ago, a Mexica survivor of the conquista was on his way to catechism lessons just outside present-day Mexico City. He experienced a holy presence on the hill of Tepeyac that changed the hermeneutic of the dignity of the poor forever. This book is about Our Lady of Guadalupe under her popular title “Santa María Tonantzin Guadalupe.” It centers on her indigenous and feminine identity as the “Preaching Woman.” She and the people she animates, the Hispanic-Latino community, are “icons” of the presence of the Holy Trinity. As Sacrament of the Holy Spirit and bearer of the Sacramental Word, she enables the pueblo, the people of God, to exercise their baptismal ministry as holy preachers.
Master of dreams
Rodolfo Morales is a Mexican painter who incorporates magical realism into his work.
Art and Social Movements
This is a study of artist/activists and their participation in social movements in the 1960s, 70s, and 80s, in Mexico City, Oaxaca, and California. McCaughan places the three movements within their own local histories, cultures, and conditions, but also links them to the 1968 rebellions that were going on across the world.
Humanities
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.
In a Cloud, in a Wall, in a Chair
This publication brings together six artists and designers working in Mexico at midcentury who expanded the horizons of modernism.
Theologies of Guadalupe
"Theologies of Guadalupe examines theological writings about Mexico's most renowned religious tradition from the colonial era to the present. It also explores how the Guadalupe cult rose above all others in colonial Mexico and emerged from a local devotion to become a regional, national, and then international phenomenon"--
Museum Matters
Museum Matters tells the story of Mexico's national collections through the trajectories of its objects. The essays in this book show the many ways in which things matter and affect how Mexico imagines its past, present, and future.
Voices of Mexico
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