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The untold chronicles of the looting and collecting of ancient Mesoamerican objects. This book traces the fascinating history of how and why ancient Mesoamerican objects have been collected. It begins with the pre-Hispanic antiquities that first entered European collections in the sixteenth century as gifts or seizures, continues through the rise of systematic collecting in Europe and the Americas during the nineteenth and twentieth centuries, and ends in 1940—the start of Europe’s art market collapse at the outbreak of World War II and the coinciding genesis of the large-scale art market for pre-Hispanic antiquities in the United States. Drawing upon archival resources and international...
In a fascinating story of 220 pages, through a selection of more than 300 images from 65 archives in America, Europe and Asia; the Mexican Football Federation and Cooperativa La Joplin celebrate, in an unprecedented and playful way, one of the great contributions of Mexico to all humanity: the ball. The first half of the book covers the remote origin of this claim, the symbolism and myth, the culture and art in Mesoamerica to answer all of the questions that may arise for those familiar and unfamiliar with the subject. The second part responds to the immediate question: what about the other balls? These are mainly in Asia and Europe. And the third narrates the evolution of the most popular ball of humanity: the football. And amidst all of this there is a convergence of childhood, math, humor, presidents and passion… Through an investigation of two years, this book celebrates one of the most influential objects in the culture of man, and of course, one of the greatest Mexican legacies. And beyond a history that provides much pride, it entails an ancient sense of joy and fun. Endearing brotherhood: culture and sport.
The Oxford Handbook of the History of Archaeology offers comprehensive perspectives on the origins and developments of the discipline of archaeology and the direction of future advances in the field. Written by thirty-six archaeologists and historians from all over the world, it covers a wide range of themes and debates, including biographical accounts of key figures, scientific techniques and archaeological fieldwork practices, institutional contexts, and the effects of religion, nationalism, and colonialism on the development of archaeology.
"Theologies of Guadalupe examines theological writings about Mexico's most renowned religious tradition from the colonial era to the present. It also explores how the Guadalupe cult rose above all others in colonial Mexico and emerged from a local devotion to become a regional, national, and then international phenomenon"--
This is a study of artist/activists and their participation in social movements in the 1960s, 70s, and 80s, in Mexico City, Oaxaca, and California. McCaughan places the three movements within their own local histories, cultures, and conditions, but also links them to the 1968 rebellions that were going on across the world.
Long before the arrival of Hernn Corts, birds, serpents, the sun and moon, and human sacrifices figured prominently in the rituals and daily spiritual life of the inhabitants of today's Mexico. In the early sixteenth century, Roman Catholic missionaries began arriving in the area of Tenochtitlan--Mexico City--to convert the native Mexica to Christianity. The priests met with limited success until 1531, the year Juan Diego, a poor Mexica, first encountered the vision of the "Heavenly Lady," now known as "Our Lady of Guadalupe." Guadalupe is a lavishly illustrated history of Mexico's religious traditions. Touching briefly on the pre-Columbian decades of many deities, Carla Zarebska devotes mos...
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Almost 500 years ago, a Mexica survivor of the conquista was on his way to catechism lessons just outside present-day Mexico City. He experienced a holy presence on the hill of Tepeyac that changed the hermeneutic of the dignity of the poor forever. This book is about Our Lady of Guadalupe under her popular title “Santa María Tonantzin Guadalupe.” It centers on her indigenous and feminine identity as the “Preaching Woman.” She and the people she animates, the Hispanic-Latino community, are “icons” of the presence of the Holy Trinity. As Sacrament of the Holy Spirit and bearer of the Sacramental Word, she enables the pueblo, the people of God, to exercise their baptismal ministry as holy preachers.
Rodolfo Morales is a Mexican painter who incorporates magical realism into his work.