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Shaped by encrusted layers of development spanning millennia, the southern Italian city of Matera is the ultimate palimpsest. Known as the Sassi, the majority of the ancient city is composed of thousands of structures carved into a limestone cliff and clinging to its walls. The resultant menagerie of forms possesses a surprising visual uniformity and an ineffable allure. Conversely, in the 1950s Matera also served as a crucible for Italian postwar urban and architectural theory, witnessed by the Neorealist, modernist expansion of the city that developed in aversion to the Sassi. In another about-face, the previously disparaged cave city has now been recast as a major tourist destination, UNE...
This book outlines the history of the Black International, a secret organisation, directly linked to the Vatican, which brought together the leaders of the Catholic committees in nine European countries. The organisation tried to stem the tide of liberalism, socialism and nationalism that threatened the Catholic Church at the end of the 19th century. The story of the origins, workings and ending of this International at times seems like a detective story. The book offers an extensive discussion of the influence of this organisation on the press policy and the international position of the Vatican. It also explores its impact on the development of militant Catholicism and, through its after-e...
“Focuses not just on . . . the pope’s response to the Holocaust, but on [his] life and papacy . . . as a whole . . . A refreshingly balanced approach” (Catholic Courier). Written by one of the foremost historians of Pius XII, this present biographical study—unlike the greater part of the vast and growing historiography of Pope Pius XII—is a balanced and nonreactive account of his life and times. Its focus is not on the pope’s silence during the Holocaust, though it does address the issue in a historical and objective framework. This is a biography of the man before and during his papacy. It probes the roots of his traditionalism and legalism, his approach to modernity and reformi...
This book explores the evolution of the role of the heirs to the throne of Italy between 1860 and 1900. It focuses on the future kings Umberto I (1844-1900) and Vittorio Emanuele III (1869-1947), and their respective spouses, Margherita of Savoia (1851-1926) and Elena of Montenegro (1873-1952). It sheds light on the soft power the Italian royals were attempting to generate, by identifying and examining four specific areas of monarchical activity: firstly, the heirs’ public role and the manner in which they attempted to craft an Italian identity through a process of self-presentation; secondly, the national, royal, linguistic and military education of the heirs; thirdly, the promotion of a family-centred dynasty deploying both male and female elements in the public realm; and finally the readiness to embrace different modes of mobility in the construction of italianità. By analysing the growing importance of the royal heirs and their performance on the public stage in post-Risorgimento Italy, this study investigates the attempted construction of a cohesive national identity through the crown and, more specifically, the heirs to the throne.
The attraction and repulsion between the Roman Catholic Church and modernity in Europe between 1750 and 2000 Emiel Lamberts (1941), professor emeritus of contemporary history at KU Leuven, is an international expert in the political and religious history of Europe in the 19th and 20th centuries. His work and the central themes in his research are the starting point in World Views and Worldly Wisdom. No less than eighteen leading international researchers put different aspects of his work in the spotlight. A recurring theme, however, is the attraction and repulsion between the Roman Catholic Church and modernity in Europe between 1750 and 2000. The ambivalent relationship with modernity is th...
This collection of essays engages with a variety of aspects of early modern book culture in the 16th-17th centuries, considered in the Catholic context. The contributions reflect on the engagement of institutions and authorities in the process of book production, bringing to the fore the role of networks in this process; show the book as a tool of resistance to the Protestant Reformation; give insight into the content and design of book collections; showcase textual production in the context of cultural appropriation and shed light on the role of the image in the propagation of Catholicism. Together the sixteen contributions demonstrate the diversity of the Catholic book in its forms and functions, in various social and national contexts.
“This well-crafted biography” presents “a balanced, but not uncritical, examination of the life of a controversial pope” (Library Journal). Debates over the legacy of Pope Pius XII are so heated they are known as the “Pius wars.” Soldier of Christ focuses instead on Eugenio Pacelli, the flawed yet gifted man himself. While offering insight into the pope’s response to Nazism, Robert A. Ventresca argues that it was the Cold War and Pius XII’s manner of engaging with the modern world that defined his pontificate. Ventresca begins with the story of Pacelli’s Roman upbringing, his intellectual formation in Rome’s seminaries, and his interwar experience as papal diplomat and Va...
The Italian educator and physician Maria Montessori is best known for the teaching method that bears her name, but historian Erica Moretti reframes Montessori's work, showing that pacifism was the foundation of her pioneering efforts in psychiatry and pedagogy.
The Italian Empire and the Great War brings an imperial and colonial perspective to the Italian experience of the First World War. Italy's decision for war in 1915 built directly on Italian imperial ambitions from the late nineteenth century onwards, and its conquest of Libya in 1911DS12. The Italian empire was conceived both as a system of overseas colonies under Italian sovereignty, and as an informal global empire of emigrants; both were mobilized to support the war in 1915DS18. The war was designed to bring about 'a greater Italy' both literally and metaphorically. In pursuit of global status, Italy fought a global war, sending troops to the Balkans, Russia, and the Middle East, though w...
Across nineteenth-century Europe, the emergence of constitutional and democratic nation-states was accompanied by intense conflict between Catholics and anticlerical forces. At its peak, this conflict touched virtually every sphere of social life: schools, universities, the press, marriage and gender relations, burial rites, associational culture, the control of public space, folk memory and the symbols of nationhood. In short, these conflicts were 'culture wars', in which the values and collective practices of modern life were at stake. These 'culture wars' have generally been seen as a chapter in the history of specific nation-states. Yet it has recently become increasingly clear that the Europe of the mid- and later nineteenth century should also be seen as a common politico-cultural space. This book breaks with the conventional approach by setting developments in specific states within an all-European and comparative context, offering a fresh and revealing perspective on one of modernity's formative conflicts.