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First-ever monograph on Carlo Mollino as an architect. Demonstrates Mollino's prowess in architectural design. Based on extensive new research and drawing on rich archival material. Lavishly illustrated with previously unpublished images, plans, drawings, and documents. Today, Italian architect and designer Carlo Mollino (1905-73) is known chiefly for his furniture designs. He is famous also for his erotic polaroid photography of the 1960s, which has been subject of many exhibitions and has lost nothing of its great appeal to the fashion world today. Much less attention has so far been given to Mollino's architecture, and a comprehensive critical study of his work in this field has been lack...
Carlo Mollino (1905-73), the son of a prominent engineer of the city of Turin, graduated with honors from the Royal School of Architecture in Turin in 1931. He joined his father's firm in the same year, only to leave to pursue an independent and highly original career in design and architecture seven years later. From the start, both his interests and personality set him apart from his contemporaries. Influenced by the Second Futurism movement and the Surrealist avant-gardes, he was active in an impressive number of fields, including aeronautics, automobile design, art, photography, set design, town planning, furniture, interior decoration and architecture. Highlights from his architectural ...
Maniera Moderna is dedicated to the multi-faceted work of the Italian architect, designer and photographer Carlo Mollino (1905-1973). His surrealist roots are evident in the black and white photography and interiors of the 1930s, right through to his later work in the elegant Teatro Regio and his highly staged erotic Polaroids. However, he was also inspired to create the most individual of designs by the Futurism of Gaud�, Niemeyer and Le Corbusier. His extravagant furniture, which he produced in limited numbers or as unique pieces, is still extremely sought after. It is an expression of the designer's extraordinary flights of fancy: chairs can look like deer, the ribs of a table like the human spinal column, backrests like skis. This monograph is divided into six chapters: choreography, montage, publications, display, appropriations and techniques, which impressively highlight the correspondences within Mollino's wide-ranging and heterogeneous oeuvre.
"Everything is permissible as long as it is fantastic," Carlo Mollino once said, accurately describing his attitude towards design and architecture. Known as one of the most versatile architects of the twentieth century, Mollino, an amazing sportsman and inspiring creative force in many fields, designed a 23-apartment, Modernist ski chalet called Casa del Sole (House of the Sun) in Cevinia, Italy, in 1947. It is a perfect example of the lively complexity typical of his work. This beautifully produced, clothbound volume with a tipped-on cover image develops as a sort of architectural novel, including drawings, photographs and writings by Mollino about the design and building process. When it ...
Draws on rare photographs and documents to reconstruct the enigmatic twentieth-century Italian architect's career as reflected by his interiors and furniture creations, in an account that offers insight into his nonconformist style and the influences of major architects on his work. Reprint.
Focusing on Mollino's furniture and interior design, this text also showcases his incredible passion for photography, providing a comprehensive overview of his creativity and versatile talents.
Influenced by the Second Futurist and Surrealist avant-gardes, Carlo Mollino was active in a number of fields, including aeronautics, automobile design, art, photography, set design, town planning, furniture, interior decoration and architecture. This book explores his furniture and interior decoration.
Edited and with essays by Napoleone Ferrari and Fulvio Ferrari.
Carlo Mollino (1905-1973) was one of the foremost figures in a generation of Italian designers. This biography demonstrates Mollino's unique anti-conformist attitude, a design statement that was at odds with the zeitgeist in his home town, Turin, in the
When it was first published in 1999, Crimes Against Humanity called for a radical shift from diplomacy to justice in international affairs. In vivid, non-legalese prose, leading human rights lawyer Geoffrey Robertson made a riveting case for holding political and military leaders accountable in international courts for genocide, torture, and mass murder. Since then, fearsome figures such as Charles Taylor, Laurent Gbagbo, and Ratko Mladic have been tried in international criminal court, and a global movement has rallied around the human rights framework of justice. Any such legal framework requires constant evolution in order to stay relevant, and this newly revised and expanded volume bring...