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The World Is Always Coming to an End
An urban neighborhood remakes itself every day—and unmakes itself, too. Houses and stores and streets define it in one way. But it’s also people—the people who make it their home, some eagerly, others grudgingly. A neighborhood can thrive or it can decline, and neighbors move in and move out. Sometimes they stay but withdraw behind fences and burglar alarms. If a neighborhood becomes no longer a place of sociability and street life, but of privacy indoors and fearful distrust outdoors, is it still a neighborhood? In the late 1960s and 1970s Carlo Rotella grew up in Chicago’s South Shore neighborhood—a place of neat bungalow blocks and desolate commercial strips, and sharp, sometime...
Playing in Time
From jazz fantasy camp to running a movie studio; from a fight between an old guy and a fat guy to a fear of clowns—Carlo Rotella’s Playing in Time delivers good stories full of vivid characters, all told with the unique voice and humor that have garnered Rotella many devoted readers in the New York Times Magazine, Boston Globe, and Washington Post Magazine, among others. The two dozen essays in Playing in Time, some of which have never before been published, revolve around the themes and obsessions that have characterized Rotella’s writing from the start: boxing, music, writers, and cities. What holds them together is Rotella’s unique focus on people, craft, and what floats outside ...
October Cities
"Rotella does an extraordinary job of describing both the ideology of urban planning and its actual realization in the built environment, and he shows how cultural (literary) constructions of meaning simultaneously reflect and inform social reality."—Richard Slotkin, author of Gunfighter Nation "A wonderful book, a wholly authoritative mapping of urban literature in the United States from the industrial city of the 1930s and 1940s to the post-industrial landscape of the 1960s. Fascinating and pathbreaking."—Eric Lott, author of Love and Theft
The Bittersweet Science
Weighing in with a balance of the visceral and the cerebral, boxing has attracted writers for millennia. Yet few of the writers drawn to it have truly known the sport—and most have never been in the ring. Moving beyond the typical sentimentality, romanticism, or cynicism common to writing on boxing, The Bittersweet Science is a collection of essays about boxing by contributors who are not only skilled writers but also have extensive firsthand experience at ringside and in the gym, the corner, and the ring itself. Editors Carlo Rotella and Michael Ezra have assembled a roster of fresh voices, ones that expand our understanding of the sport’s primal appeal. The contributors to The Bittersw...
Cut Time
Carlo Rotella, an award-winning writer and ringside veteran, unearths the hard wisdom in any kind of fight, from barroom dustup to HBO extravaganza. He vividly describes the tough choices and subtle pleasures that come the way of every fighter, from perennial underdogs on the tank-town circuit to the one-time heavyweight champion Larry Holmes, who still spars to retching exhaustion daily. Rotella uncovers the often startling light that boxing sheds on the world beyond the ring. A college student's brief fistic career pinpoints the moment when adulthood arrives. The serenity of a fellow fan shows Rotella how to process the trauma of a car crash. The persistence of a wizened ex-champion remind...
Cut Time
As his affection for boxing grows, Rotella discovers that it sheds a startling light on the world outside the ring. As he traces his surprising immersion in the fight world, he achieves what few other writers on that world have: he makes it relevant, whether readers are fans or not.
October Cities
Returning to his native Chicago after World War II, Nelson Algren found a city transformed. The flourishing industry, culture, and literature that had placed prewar Chicago at center stage in American life were entering a time of crisis. The middle class and economic opportunity were leaving the inner city, and Black Southerners arriving in Chicago found themselves increasingly estranged from the nation's economic and cultural resources. For Algren, Chicago was becoming "an October sort of city even in the spring," and as Carlo Rotella demonstrates, this metaphorical landscape of fall led Algren and others to forge a literary form that traced the American city's transformation. Narratives of...
Gringos
Charles Portis’s fourth novel—a truly brilliant, wonderfully bizarre novel by one of our great American novelists. Jimmy Burns is an expatriate American living in Mexico who has an uncommonly astute eye for the absurd little details that comprise your average American. For a time, Jimmy spent his days unearthing pre-Colombian artifacts. Now he makes a living doing small trucking jobs and helping out with the occasional missing person situation—whatever it takes to remain “the very picture of an American idler in Mexico, right down to the grass-green golfing trousers.” But when Jimmy’s laid-back lifestyle is seriously imposed upon by a ninety-pound stalker called Louise, a sudden wave of “hippies” (led by a murderous ex-con guru) in search of psychic happenings, and a group of archaeologists who are unearthing (illegally) Mayan tombs, his simple South-of-the-Border existence faces a clear and present danger.
Good with Their Hands
"This is a brilliant study, warm and frequently thrilling, of an inspired combination of subjects. Postindustrial American urban culture has found its great poet-theorist in Carlo Rotella."—William Finnegan, author of Cold New World: Growing Up in a Harder Country "In the hands of others, we have learned much about the process of deindustrialization. Rotella powerfully brings the reader to the core of these socio-economic transitions in a manner that is almost palpable in its ability to connect the reader to any one of his subjects. Rotella held me, taught me, opened my eyes to an appreciation of new ways of seeing. The writing is electric, the broader conceptual framework is rich and complex, and his touch is deft throughout the book."—Nick Salvatore, coauthor of We All Got History: The Memory Books of Amos Webber
Catholics in the Movies
The common admission that "everything I know about religion I learned from the movies" is true for believers as much as for unbelievers. And at the movies, Catholicism is the American religion. As an intensely visual faith with a well-defined ritual and authority structure, Catholicism lends itself to the drama and pageantry of film. Beginning with the silent era of film and ending with movies today, eleven prominent scholars explore how Catholic characters, spaces, and rituals are represented in cinema.
