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At Conrad's wedding, everything appears perfect as he embarks on a life with the woman of his dreams and a legal career that holds every promise. By contrast, his best man and childhood friend, Marcus, works at a dead-end job parking cars after coming out at home and dropping out of college. Building on his traditional upbringing, Conrad successfully pursues a calculated plan for professional success, while Marcus rejects that life and drifts, drinking with friends and clubbing in San Francisco. But as Conrad locks in his law firm partnership, his marriage suffers. And when a relationship for Marcus finally blossoms, he finds himself unsure. While their choices have predictable results, the old friends are surprised to discover a rekindling of their youthful bond and an unexpected peace as they find their way during unforgiving but changing times. In a love story that reverberates from beliefs that stigmatize and laws that discriminate, these boys quickly becoming men resonate with the power and elegance of the concertos they choose to perform.
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Bland is anathema to Carlos Mota. As he travels the world--from Lisbon to Tangier, India to Santo Domingo, New York to Paris--producing feature stories and ad campaigns for countless publications and companies, he exults in every spark of originality and creativity he sees. Fortunately for us, he not only documents his sightings with his camera but also collects images by a Who's Who of interiors and architectural photographers. And in this volume, he has culled some 280 of his favorite images, all wholly different but all sharing one quality: the beauty of color, both literally and figuratively. There are interiors, table settings, fabric swatches, tiles, floral arrangements, sculptures, architectural ornamentation--whatever captures his discriminating eye. Peppered with quotes about color and beauty by a host of designers, Beige Is Not a Color is the antithesis of bland and as aspirational as it is inspirational.