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Nationalism and Architecture
Unlike regionalism in architecture, which has been widely discussed in recent years, nationalism in architecture has not been so well explored and understood. However, the most powerful collective representation of a nation is through its architecture and how that architecture engages the global arena by expressing, defining and sometimes negating a sense of nation in order to participate in the international world. Bringing together case studies from Europe, North and South America, the Middle East, Africa, Asia and Australia, this book provides a truly global exploration of the relationship between architecture and nationalism, via the themes of regionalism and representation, various nati...
Spanish, Catalan, and Galician Literary Authors of the Twentieth Century
Provides a comprehensive index to published bibliographies that list a literary author's works and/or critical studies about the works. In addition to novelists, playwrights, poets, and short story writers, the guide also covers bibliographies for linguists, literary critics, and historians.
Architects and Engineers
In the first decades of the 20th century, civil engineers were widely seen as a role model for future architects. Their role within the contemporary architecture movements, however, was hardly discussed. To this day, even fundamental questions about collaborations, rivalries, or conflicts between the two sister disciplines still await answers. This volume brings together contributions by international scholars on the cooperation between architects and civil engineers in various countries in the interwar period. By offering both insights into national peculiarities and new reflections on the general nature, character, and significance of such joint efforts, it opens exciting new perspectives on the modern building culture of Europe and beyond.
The Dramatic World of Valle-Inclán
There follows an up-to-date bibliography of the plays, from editions contemporary with the author through those published posthumously; it includes translations of the dramas into many languages, as well as a selection of critical studies worldwide."--Jacket.
A New History of Spanish Literature
First published in 1961, A New History of Spanish Literature has been a much-used resource for generations of students. The book has now been completely revised and updated to include extensive discussion of Spanish literature of the past thirty years. Richard E. Chandler and Kessel Schwartz, both longtime students of the literature, write authoritatively about every Spanish literary work of consequence. From the earliest extant writings though the literature of the 1980s, they draw on the latest scholarship. Unlike most literary histories, this one treats each genre fully in its own section, thus making it easy for the reader to follow the development of poetry, the drama, the novel, other ...
A History of the Spanish Language through Texts
A History of the Spanish Language through Texts examines the evolution of the Spanish language from the Middle Ages to the present day. Pountain explores a wide range of texts from poetry, through newspaper articles and political documents, to a Bunuel film script and a love letter. With keypoints and a careful indexing and cross-referencing system this book can be used as a freestanding history of the language independently of the illustrative texts themselves.
A History of Chilean Literature
This book covers the heterogeneity of Chilean literary production from the times of the Spanish conquest to the present. It shifts critical focus from national identity and issues to a more multifaceted transnational, hemispheric, and global approach. Its emphasis is on the paradigm transition from the purportedly homogeneous to the heterogeneous.
The Comic Spirit of Federico Garcia Lorca
During the years since his death, Federico García Lorca, Spain's best-known twentieth-century poet and playwright, has generally been considered a writer of tragedy. Three of his major plays are fatalistic stories of suffering and death, and his poetry is filled with dread. Yet most of Lorca's dramatic production consists of comedies and farces. Throughout his poetry and prose, as well as in his most somber plays, runs an undercurrent of humor—dark irony and satire—that is in no way contradictory to his tragic view of life. On the contrary, as Virginia Higginbotham demonstrates, through humor Lorca defines, intensifies, and tries to come to terms with what he sees as the essentially hop...
