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America Is in the Heart
First published in 1943, this classic memoir by well-known Filipino poet Carlos Bulosan describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.
The Laughter of My Father
The rich man’s children ate their good food and grew thinner and more peaked. The Bulosans, next door, went on eating their poor and meagre food, laughed, and grew fat. So the rich man sued Father Bulosan for stealing the spirit of his food. And Father paid him in his own coin, while the laughter of the Bulosans and the judge drove the rich man’s family out of the courtroom. The Bulosans lived in Binalonan, in the Philippine province of Pangasinan. But the episodes of Father’s history that his son Carlos retells belong to universal and timeless comedy. No one can remain unmoved by Father’s excursions into politics, cock-fighting, violin-playing, or the concoction of love-potions. Twe...
America is In the Heart
First published in 1946, this autobiography of the well-known Filipino poet describes his boyhood in the Philippines, his voyage to America, and his years of hardship and despair as an itinerant laborer following the harvest trail in the rural West.
Writer in Exile/Writer in Revolt
Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan gathers pioneering essays by major scholars in Filipino American Studies, American Studies, and Philippine Studies as well as historic documents on Carlos Bulosan’s work and life for the first time. This anthology—which includes rare, out-of-print documents—provides students, instructors, and scholars an opportunity to trace the development of a body of knowledge called Bulosan criticism within the United States and the Philippines. Divided into four major sections that explore Bulosan’s prolific literary output (novels, poems, short stories, essays, letters, and editorial work), the anthology opens with an introduction to the early stages of Bulosan criticism (1950s-1970s) and ends with recent work by senior scholars in Asian American Studies that suggests new directions for engaging multiple dimensions of Bulosan’s twin commitment to art and social change.
Positively No Filipinos Allowed
Essays challenging conventional narratives of Filipino American history and culture.
Five Faces of Exile
Five Faces of Exile is the first transnational history of Asian American intellectuals. Espiritu explores five Filipino American writers whose travels, literary works, and political reflections transcend the boundaries of nations and the categories of "Asia" and "America."
Cry And Dedication
This previously unpublished novel by the author of America Is in the Heart dramatizes the resourcefulness, cunning, and pain of the Filipino peasants' struggle against a heritage of colonization, first by Spain and later by the United States. Set during the political upheavals of the 1940s and 1950s, seven underground rebels-old and young, male and female, intellectual and peasant-set off across the Philippine countryside fueled by their outrage over continued U.S. domination. They combat both internal foes from their past memories and experiences and visible enemies who view their clandestine work as a destructive force of communism. As they confront danger and face physical and emotional s...
Carlos Bulosan
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The Voice of Bataan
The Battle of Bataan represented the most intense phase of the Japanese invasion of the Philippines during World War II. It began in January 1942, when forces of the Imperial Japanese Army and Navy invaded Luzon along with several islands in the Philippine Archipelago after the bombing of the American naval base at Pearl Harbor, and culminated in the fall of Bataan on April 9, 1942. The present volume, which was first published in 1943, is a collection of poetry by Filipino-American novelist and poet Carlos Bulosan, written during the Second World War. It is his tribute to the soldiers who died fighting in the Battle of Bataan. “Poems of Bataan—of that ‘small island of ashes and dead bodies,’ of the soldiers that resisted to the last man, of the hope of freedom once again. Impassioned lyrical expression of that struggle and the refusal to be conquered”—Kirkus Review
