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Part of a series for young African students and consisting of stories from all over Africa. The "JAWS" starters, which are at three levels, are intended to encourage children who are learning to read. In this story Nottygoat is offered for sale at the market, but nobody wants a naughty goat.
The International History of Communication Study maps the growth of media and communication studies around the world. Drawing out transnational flows of ideas, institutions, publications, and people, it offers the most comprehensive picture to date of the global history of communication research and education. This volume reaches into national and regional areas that have not received much attention in the scholarship until now, including Asia, Latin America, Africa, and the Middle East alongside Europe and North America. It also covers communication study outside of academic settings: in international organizations like UNESCO, and among commercial and civic groups. It moves beyond the trad...
This collection of essays by leading scholars in Mexican ethnohistory, edited by Susan Schroeder, Stephanie Wood, and Robert Haskett, examines the life experiences of Indian women in preconquest colonial Mexico. In this volume: "Introduction," Susan Schroeder; "Mexica Women on the Home Front," Louise M. Burkhart; "Aztec Wives," Arthur J. O. Anderson; "Indian-Spanish Marriages in the First Century of the Colony," Pedro Carrasco; "Gender and Social Identity," Rebecca Horn; "From Parallel and Equivalent to Separate but Unequal: Tenochca Mexica Women, 1500-1700," Susan Kellogg; "Activist or Adulteress/ The Life and Struggle of Doña Josefa Mará of Tepoztlan," Robert Haskett; "Matters of Life at...
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The print edition is available as a set of three volumes (9789004302020).
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La épica del siglo XX es, según De Certeau, la que realiza el hombre sin atributos. Basta con recordar dos grandes obras literarias de nuestro siglo: Ulises de James Joyce y El hombre sin atributos de Robert Musil, para comprobar lo que nos dice el autor. Las cualidades que De Certeau le atribuye a este personaje de la épica actual son: el consumo que realiza es siempre activo y creativo, nunca se somete pasivamente a la forma del producto; la habilidad en el uso de las artimañas para vencer al fuerte (la presencia anónima del poder), y la sensibilidad para recrear redes de intersubjetividad paralelas a los grandes poderes.
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