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In The Long Silence, first published 2011, Stephan Merk described the standing Maya Puuc architecture of a 100 square kilometer wide area in Northern Campeche, México. The Long Silence (2) presents the results of the architectural survey of an equally large and almost untouched region immediately south, and compares the results of both projects. With additional contributions by Nicholas Dunning and Eric Weaver, Daniel Graña-Behrens, Guido Krempel, and Karl Herbert Mayer.
The magazine of the Society for American Archaeology.
With Explorer’s Guides, expert authors and helpful icons make it easy to locate places of extra value, family-friendly activities, and excellent restaurants and lodgings. Regional and city maps help you get around and What’s Where provides a quick reference on everything from tourist attractions to off-the-beaten-track sites. Tour the heartland of the Aztec and Maya empires, ancient Mexico’s greatest civilizations, including Mexico City, the Yucata´n Peninsula, Chiapas, and Campeche. Through their astounding ruins, the institutions that have chronicled their legacies, and the visible traces of their culture today, this guide shows you the glory of ancient and mighty civilizations.
"Carlos Pallán Gayol nos ofrece en este volumen un resumen de la historia de los mayas. En él, descubrimos que no existió un imperio maya como tal, sino que más bien, había distintas poblaciones mayas que andaban a la gresca un día sí y otro también."(Web Paperblog) "Les invito a que se adentren a través de este libro, Breve Historia de los Mayas, dentro de la selva y junto a la entretenida lectura de la obra de Carlos Pallán Gayol observen a la deslumbrante y pura luz de America Central todo el devenir de la cultura Maya, su sabiduría y misteriosa mitología, el esplendor de los reyes y reinas, guerreros y sacerdotes que vivieron en majestuosas ciudades dentro de feraces selvas t...
This volume collects eight recent and innovative studies spanning the breadth of Mesoamerica, from the Early Classic metropolis of Teotihuacan, to Tenochtitlan, the Late Postclassic capital of the Aztec, and from the arid central Mexican highlands in the west to the humid Maya lowlands in the east.
For hundreds of years, Maya artists and scholars used hieroglyphs to record their history and culture. In the nineteenth and twentieth centuries, archaeologists, photographers, and artists recorded the Maya carvings that remained, often by transporting box cameras and plaster casts through the jungle on muleback. The New Catalog of Maya Hieroglyphs, Volume I: The Classic Period Inscriptions is a guide to all the known hieroglyphic symbols of the Classic Maya script. In the New Catalog Martha J. Macri and Matthew G. Looper have produced a valuable research tool based on the latest Mesoamerican scholarship. An essential resource for all students of Maya texts, the New Catalog is also accessibl...
The archaeological site of Chichén Itzá, one of the best known ancient Maya cities, is located in the northern section of the Yucatán peninsula in Mexico. Chichén Itzá has figured prominently in both past and present discussions on the Terminal Classic and Early Postclassic periods in the northern Maya lowlands. Based on archaeological information and information derived from ethnohistorical sources, this city can be dated to a period from circa A.D. 700 to circa A.D. 1250, with its apogee placed between about A.D. 800 to A.D. 1050. The past and present discussions were directed specifically towards the origin of the inhabitants of the city, the arrival of K'uk'ulkán ("Feathered Serpen...
Publicación anual del Centro de Estudios Mayas.
This authoritative work is the first visual dictionary of Maya glyphs published since the script's complete deciphering, offering a much-needed, comprehensive catalogue of 1100 secured glyphs. Each entry includes the illustrated glyph, its phonetic transcription, Mayan equivalent, part of speech, and meaning. About the Author John Montgomery was an illustrator, epigrapher, writer, and PhD candidate in the field of Pre-Columbian Art at the University of New Mexico. He taught art history at the South-western Indian Polytechnic Institute in Albuquerque. A long and varied experience in Central America first inspired his interest in the ancient Maya. His glyphic illustrations are based on a lifetime of involvement with Maya glyph decipherment.