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Iconicity of the Uto-Aztecans
Uto-Aztecan iconic practices are primarily conditioned by the consciousness of the snake as a death-dealing power, and as such, an animal that displays the deepest fears and anxieties of the individual. The attempt to study a snake simulacrum thus constitutes the basic objective of this volume. A long, all-embracing iconicity of snakes and related snake motifs are evident in different cultural expressions ranging from rock art templates to other cultural artifacts like basketry, pottery, temple architecture and sculptural motifs. Uto-Aztecan iconography demonstrates a symbolic memorial order of emotional valences, as well as the negotiations with death and a belief in rebirth, just as the skin-shedding snake reptile manifests in its life cycle.
Teotihuacan and Early Classic Mesoamerica
The Early Classic period in Mesoamerica has been characterized by the appearance of Teotihuacan-related material culture throughout the region. Teotihuacan, known for its monumental architecture and dense settlement, became an urban center around 100 BC and a regional state over the next few centuries, dominating much of the Basin of Mexico and beyond until its collapse around AD 650. Teotihuacan and Early Classic Mesoamerica explores the complex nature of Teotihuacan’s interactions with other regions from both central and peripheral vantage points. The volume offers a multiscalar view of power and identity, showing that the spread of Teotihuacan-related material culture may have resulted ...
Mexicon
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Adoring the Saints
Mexico is famous for spectacular fiestas that embody its heart and soul. An expression of the cult of the saint, patron saint fiestas are the centerpiece of Mexican popular religion and of great importance to the lives and cultures of people and communities. These fiestas have their own language, objects, belief systems, and practices. They link Mexico's past and present, its indigenous and European populations, and its local and global relations. This work provides a comprehensive study of two intimately linked patron saint fiestas in the state of Guanajuato, near San Miguel de Allende—the fiesta of the village of Cruz del Palmar and that of the town of San Luis de la Paz. These two fiest...
Migration and Disruptions
“Artfully integrates scholarship on both past and present migration. With its thematic focus on disruption, this volume develops unprecedented nuance in the treatment of migration.”—Graciela S. Cabana, coeditor of Rethinking Anthropological Perspectives on Migration “A significant contribution to the social sciences in general and a future staple for archaeologists and anthropologists. Migration and Disruptions demonstrates the importance of collaboration and constructive dialogues between the traditional subfields composing the umbrella title of anthropology.”—Stephen A. Brighton, author of Historical Archaeology of the Irish Diaspora: A Transnational Approach Migration has alwa...
Rock Art Studies
Devoted to providing a wide-ranging survey of new developments in rock art studies from all over the world.
Painting the Skin
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and veg...
Estudio de la lítica en Mesoamérica
Estudio de la lítica tallada y pulida en México en diferentes tipos de artefactos líticos
Rock Art Studies: News of the World V
This is the fifth volume in the series Rock Art Studies: News of the World. Like the previous editions, it covers rock art research and management across the globe over a five-year period, in this case the years 2010 to 2014 inclusive.
The White Shaman Mural
Folded plate (1 leaf, 39 x 61 cm, folded to 19 x 16 cm) in pocket.
