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Meet the Thompsons of Locust Street, an unconventional family taking Philadelphia high society by storm… 1869 Bareknuckle champion, James Thompson, is confident his future continues with beautiful women and victories in the boxing ring. Men admire his skills, power, and quick fists, and are more than willing to bet their hard-earned coins on his name. Women admire his handsome face, his undaunted confidence, and his powerful body. Nothing will change his successfully plotted course, until… Lucinda Vermeal arrives on the Philadelphia social scene when her father moves them to the city in the hopes that his only daughter will find a suitable partner. After all, her husband will be intimately involved with Vermeal Industries whose business interests and political connections touch France, England and all of the United States. Lucinda’s pale statuesque beauty attracts the finest of Philadelphia’s young men, but her cool and reserved attitude keep them at arm’s length. Until she meets a man willing to challenge her at every turn. Will James Thompson expose Lucinda's passionate nature like no other man ever could?
By prosecuting war crimes, the Nuremberg trials sought to educate West Germans about their criminal past, provoke their total rejection of Nazism, and convert them to democracy. More than all of the other Nuremberg proceedings, the High Command Case against fourteen of Hitler's generals embraced these goals, since the charges-the murder of POWs, the terrorizing of civilians, the extermination of Jews-also implicated the 20 million ordinary Germans who had served in the military. This trial was the true test of Nuremberg's potential to inspire national reflection on Nazi crime. Its importance notwithstanding, the High Command Case has been largely neglected by historians. Valerie Hébert's st...
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Minister Constance D. Johnson, MBA author of "Persevere Wrench" and "Forgiveness: Is It Too Late To Forgive?" Featuring: "A Kindle Of A Mother's Memoirs Of Love ~The Cent Of A Rose ~The Price Jesus Christ Paid!" writes for your reading pleasure and enjoyment this charming, delightful, fascinating, and thrilling novel "Bellicans" ~ An Inspiring and Quintessential Novel For Today's Time! This is a riveting and exhilarating novel that will fascinate you and may make for a splendid glossy soap opera or film. As you move through its pages, it will enkindle a desire in you to read on. Bellicans is so intriguing; it's like reading a good book and you can't stop turning the pages. You will realize t...
The free-standing radios of the middle decades of the 20th century were invitingly rotund and proudly displayed--nothing like today's skinny televisions hidden inside "entertainment centers." Radios were the hub of the family's after-dinner activities, and children and adults gorged themselves on western-adventure series like "The Lone Ranger," police dramas such as "Calling All Cars," and the varied offerings of "The Cavalcade of America." Shows often aired two or three times a week, and many programs were broadcast for more than a decade, comprising hundreds of episodes. This book includes more than 300 program logs (many appearing in print for the first time) drawn from newspapers, script files in broadcast museums, records from NBC, ABC and CBS, and the personal records of series directors. Each entry contains a short broadcast history that includes directors, writers, and actors, and the broadcast dates and airtimes. A comprehensive index rounds out the work.
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For many, the Westerns of 1930 to 1955 were a defining part of American culture. Those Westerns were one of the vehicles by which viewers learned the values and norms of a wide range of social relationships and behavior. By 1955, however, Westerns began to include more controversial themes: cowardly citizens, emotionally deranged characters, graphic violence, marital infidelity, racial prejudice, and rape, among other issues. This work examines the manner in which Westerns reflected the substantial social, economic and political changes that shaped American culture in the latter half of the twentieth century. Part One of this work considers shifting themes as the genre reacted to changes unfolding in the broader social landscape of American culture. Part Two examines the manner in which images of cowboys, outlaws, lawmen, American Indians and women changed in Westerns as the viewers were offered new understanding of the frontier experience.
From the beginning of the sound era until the end of the 1930s, independent movie-making thrived. Many of the independent studios were headquartered in a section of Hollywood called "Poverty Row." Here the independents made movies on the cheap, usually at rented facilities where shooting was limited to only a few days. From Allied Pictures Corporation to Willis Kent Production, 55 Poverty Row Studios are given histories in this book. Some of the studios, such as Diversion Pictures and Cresent Pictures, came into existence for the sole purpose of releasing movies by established stars. Others, for example J.D. Kendis, were early exploitation filmmakers under the guise of sex education. The histories include critical commentary on the studio's output and a filmography of all titles released from 1929 through 1940.
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