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This book draws on the life stories told by shepherds, farmers, and their families in the Andalusian region in Spain to sketch out the landscapes, actions, and challenges of people who work in pastoralism. Their narratives highlight how local practices interact with regional and European communities and policies, and they help us see a broader role for extensive grazing practices and sustainability. A Country of Shepherds is timely, reflecting the growing interest in ecological farming methods as well as the Spanish government’s recent work with UNESCO to recognise the seasonal movement of herd animals in the Iberian Peninsula as an Intangible Cultural Heritage. Demonstrating the critical role of tradition, cultural geographies, and sustainability in the Mediterranean, this book will appeal to academicians but also to general readers who seek to understand, in very human terms, the impact of the world-wide environmental crisis we are now experiencing.
Este estudio analiza la poética de oposición de Melville y se centra en aspectos locales, temáticos, retóricos y técnicos de los poemas del autor. La tensa relación de Melville con su país ensayada en sus novelas se condensa en la poesía que se analiza aquí. Como poeta, Melville es, por increíble que parezca, una voz que clama en tierra salvaje, con la extensa tradición de los clásicos occidentales y de la Biblia que se repiten en estos poemas. Las obras analizadas en este libro han sido seleccionadas de las tres colecciones de poesía publicadas durante la vida de Melville: Battle-Pieces and Aspects of the War, John Marr and Other Sailors with Some Sea-Pieces y Timoleon Etc. La disensión que emana de este corpus poético subraya el inconformismo de Melville con las expectativas ortodoxas de la América de finales del siglo XIX.
Conflict, Violence, Terrorism and their Prevention provides an inter-disciplinary and global perspective on aspects of aggression and violence. It explores the individual, group, and international processes and conditions by which violent conflict occurs. It shows the wide range and diffuse nature of contemporary violence and the need to approach it from many disciplines. The book also examines some multi-faceted solutions and responses to conflict. The optimistic conclusion from this work is that there are concrete and specific ways to address conflict and violence. Violence is neither inevitable nor innately determined. These 13 well-researched chapters use a variety of empirical and theor...
This volume aims to show how southerners have faced their post and constructed a self. The essays in this volume explore the different personal narratives and strategies southern authors have employed to channel the autobiographical impulse and give artistic expression to their anxieties, traumas and revelations, as well as their relationship with the region. With the discussion of different types of memoirs, this volume reflects not only the transformation that this sub-genre has undergone since the 1990s boom but also its flexibility as a popular form of life-writing.
“Ex-Centric Souths: (Re)Imagining Southern Centers and Peripheries” adds a voice in ongoing attempts to chart new routes and to decenter the South in many ways in the hope of exploring Southern identity and multiple Souths. The articles collected in this volume bring to the forefront the translocal and transnational connections and relationships between the South and the circum-Caribbean region; they address the changing nature of Southernness, and especially its sense of place, and finally they investigate the potential of various texts to narrate and revisit regional concerns. Some contributions hold up to view topics ignored and marginalized, while other decontextualize themes and issues central to Southern studies by telling alternative histories.
Acclaimed by many as one of the most gifted essayists and stylists in American letters these last few decades, Richard Rodriguez has left an indelible imprint on the tradition of autobiographical writing of the nation. Rodeño’s study of the four installments of Rodriguez’s self-writing offers an insightful and perspicacious analysis of the evolution and the most controversial elements in this Chicano writer’s production so far. Delving deeply into issues of racial and ethnic identity, sexual orientation, religious background, various types of hybridity, and different forms of socio-cultural adaptation, this book presents all kinds of incisive observations about the contested space(s) that “minority” self-writers are often pushed to occupy in the American tradition of the genre.
This book presents the way in which African American women writers (Hannah Crafts, Zora Neale Hurston and Toni Morrison) have followed the spiritual endeavor of black Christianity as created by early nineteenth-century spiritual narratives to construct a sacred reading of the black female self. The sacred femininity that puts the ethics and aesthetics of African American women at the center of a certain mode of (African) Americanness relies on a view of spirituality that joins women ontologically and validates affective modes of representation as an innovative means to obtain social and personal empowerment.
Este libro supone una invitación para descubrir la cultura y la literatura mormonas desde una perspectiva muy personal, así como un viaje fascinante al territorio literario de Phyllis Barber, una vasta extensión de un terreno físico y emocional donde los límites se entrecruzan y el tiempo teje nidos que trascienden la narrativa. Ángel Chaparro analiza el proyecto social y cultural de la ficción y las autobiografías de Phyllis Barber; examina la influencia de la cultura mormona, del paisaje del Oeste americano y de los acontecimientos históricos en su escritura; y trata de anticipar el espacio que sus libros ocupan en el desarrollo en curso de la literatura mormona y de la cultura del Oeste americano. Este original análisis va precedido de una historia de La Iglesia de Jesucristo de los Santos de los Últimos Días.
Used by generations of physicians who encounter patients with dermatological diseases, Lever’s Dermatopathology: Histopathology of the Skin comprehensively covers skin disease in which histopathology plays an important role in diagnosis. The updated 12th Edition, edited by Drs. David E. Elder, Rosalie Elenitsas, George F. Murphy, Misha Rosenbach, Adam I. Rubin, John T. Seykora, and Xiaowei Xu, maintains the proven, clinicopathologic classification of cutaneous disease while incorporating a “primer” on pattern-algorithm diagnosis. It features larger images throughout, as well as thoroughly revised content with new diseases and new information on pathophysiology and molecular pathogenesis—all in an easy-to-navigate, highly readable format.
Vol.3, No.1 of Culture and Dialogue is a Special Issue in many ways. This issue marks the takeover by a new publisher. Because of contractual constraints and practical reasons the decision was made to continue our journey with Cambridge Scholars Publishing, whose great enthusiasm foreshadows a bright future for the journal. Our words of thanks, however, must also go to Airiti Press without which the journal would not have seen the light of day. We are indebted to Airiti Press for having invested into the launch of a new journal, with all the risks entailed, and for their dedicated hard work. We are most grateful for this. The Journal was officially launched in March 2011 and has since produc...