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Chilean poet, educator, diplomat, and feminist Gabriela Mistral (1889-1957) rose from poverty in the foothills of the Andes to become the first Latin American to win the Nobel Prize in Literature in 1945. This volume provides both a detailed biography of the author and a careful analysis of her writing. Chronicling the personal, psychological, and social currents of Mistral's life and times, it addresses such topics as her finances, illness, and sexuality. Literary analysis considers the sacred and secular influences on Mistral's oevre, including Catholicism, the Hebraic tradition, Theosophy, and Buddhism. By recounting Mistral's intelligence and perseverance in overcoming her life's obstacles to reach the pinnacle of her field, this book establishes her as a model for Chileans and for humanity.
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Contains alphabetically arranged entries that provide career biographies of twenty-nine twentieth-century Spanish poets; each with a list of principal works and a bibliography.
Gabriela Mistral is the only Latin American woman writer to be awarded the Nobel Prize in Literature. Even so, her extraordinary achievements in poetry, narrative, and political essays remain largely untold. Gabriela Mistral: The Audacious Traveler explores boldly and thoughtfully the complex legacy of Mistral and the way in which her work continues to define Latin America. Edited by Professor Marjorie Agosín, Gabriela Mistral: The Audacious Traveler addresses for the first time the vision that Mistral conveyed as a representative of Chile during the drafting of the United Nations Human Rights Declaration. It depicts Mistral as a courageous social activist whose art and writings against fas...
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En la poesía española e hispanoamericana de los siglos XX y XXI la mística juega un papel poco valorado por la crítica literaria, aunque las figuras de un pensar propiamente místico subyacen a numerosos paradigmas poéticos de este siglo. Poetas como Jorge Luis Borges, Delmira Agustini, Alfonsina Storni, Gabriela Mistral, Alejandra Pizarnik, así como José Ángel Valente y Ernestina de Champourcin usan formas poéticas que enlazan con la tradición mística. Lo místico se convierte en un medio de reflexión sobre subjetividad y palabra poética.