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The book follows the story of the lives of three families: Longoria, Garza, and Mendoza, each living in different regions of Mexico, and strangers to each other. The Mexican Revolution rages on during this time. In Tamaulipas, Mexico the Longoria family migrate across the border to Brownsville, Texas to keep their family safe and search for a better life. Meanwhile, in Monterrey, Mexico, a chance encounter between Margarita Garza and Encarnacion Mendoza leads to a union of the happy couple and they raise their family together. Although, somewhat insulated from the Mexican Revolution, they thrive in General Teran, Mexico until Plutarco Elias Calles becomes the president of Mexico and begins a...
This publication accompanies an exhibition of approximately 120 works of art and science loaned mostly from the Royal Collection of Spain (Patrimonio Nacional) to the Seattle Art Museum. Featuring the work of such artists as Bosch, Titian, El Greco, Bernini, Vel¾zquez, Murillo, Zubar¾n, and Goya, this publication includesøpaintings, sculpture, tapestries, scientific instruments, maps, armor, books, and documents. Eight essays provide historical context and artistic explication. Chronologically organized, the book charts the evolution of Spanish attitudes toward knowledge, exploration, and faith during three dynasties of Spain?s golden age, when the fervor for scientific and geographical knowledge coexisted with the expansion of empire and promotion of Christianity. The four themes of the exhibition are: The Image of Empire; Spirituality and Worldliness; Encounters across Cultures; Science and the Court. Spain in the Age of Exploration, 1492?1819, presents art and science from one of the most ambitious, magnificent, and complex enterprises in history.
The first anthology in English on modern Spanish women's history and identity formation.
To those who are cursed or gifted with the burden of wealth, two things are as unchanging as the seasons. First, one is born with death as a sibling. Second, what you own in turn owns you. This book, written by a bar topnotcher and an experienced lawyer in estate planning, will put an end to property problems that afflict those with possessions, great or small. In this sense, the author performs the role of a legal undertaker who makes sure that no one leaves behind property problems together his mortal remains.
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A genealogy book of the Escagedo family, which originated in Cantabria, Spain. Collected herein are chronologies, family trees, photos, documents, and biographies. Our research for this book took over three years, beginning in 2018. Apart from the author's work, this project was also made possible with help of family and friends that shared their archives and time with us. The goal was to conserve our family history and honor our loved ones. Escagedo Family History by Eloy Escagedo Gutierrez and Milagros Escagedo Blanco.
This volume addresses the widespread medieval phenomenon of transgression as both a result of and the cause for the exclusion and persecution of those who were considered different. It is widely accepted that the essence of a manuscript cannot be fully grasped without studying its marginalia. Glosses sit on the margins of the text and clarify it, adding a whole new dimension to it and becoming an inextricable part of its content. Similarly, no society can be fully understood without knowledge of what lies on its margins, for the outliers of any given culture provide us with just as much information as its alleged foundational principles. In a time when the Western world ponders building walls up against perceived threats and frightening differences, this multidisciplinary collection of essays based on original and innovative pieces of research shows that it was mostly through tearing down walls that we learned our way forward.
This book is the first to address the curatorial career of Diego Velázquez, painter to King Philip IV of Spain and chamberlain of his royal palace. It investigates the role that Velázquez played in overseeing the display of the Habsburg art collection, then the richest in the western world, and the role, in turn, that this practice played in his creative trajectory between his arrival at the Spanish court in 1623 and his death in 1660. This book thus recasts Velázquez’s career as an episode in the history of the curator.