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Contemporary Debates on the Short Story
For nearly a century of being underestimated as a literary genre, the short story is currently experiencing a revival. The editors of this collection of articles have brought together the contributions of nine outstanding scholars in the field of the short story to reveal some of the many directions in which the genre is expanding. This book is a reasoned and well-documented anthology which casts light on new aspects of the short story. It participates in the current trend of short story criticism, characterized by the gathering in one single volume of a diversity of approaches with the main aim of promoting discussion on this thriving area of literary studies. The editors of this volume believe that a fruitful tension may rise by putting side by side insights into a not so well known tradition, on the one hand, and fresh considerations on unexpected developments of the short story, on the other. All in all, the short story emerges as a dynamic and flexible form that reacts and adapts itself better than any other literary genre to the challenges of the sceptical times we live in.
Book of abstracts. Meaning and Knowledge Representation 11th International Conference
Natural language understanding systems require a knowledge base provided with formal representations reflecting the structure of human beings' cognitive system. Although surface semantics can be sufficient in some other systems, the construction of a robust knowledge base guarantees its use in most natural language processing applications, thus consolidating the concept of resource reuse. This conference deals with meaning and knowledge representation in the context of natural language understanding from the perspective of theoretical linguistics, computational linguistics, cognitive science, knowledge engineering, artificial intelligence, natural language processing, text analytics or linked data and semantic web technologies.
Handbook of the American Short Story
The American short story has always been characterized by exciting aesthetic innovations and an immense range of topics. This handbook offers students and researchers a comprehensive introduction to the multifaceted genre with a special focus on recent developments due to the rise of new media. Part I provides systematic overviews of significant contexts ranging from historical-political backgrounds, short story theories developed by writers, print and digital culture, to current theoretical approaches and canon formation. Part II consists of 35 paired readings of representative short stories by eminent authors, charting major steps in the evolution of the American short story from its beginnings as an art form in the early nineteenth century up to the digital age. The handbook examines historically, methodologically, and theoretically the coming together of the enduring narrative practice of compression and concision in American literature. It offers fresh and original readings relevant to studying the American short story and shows how the genre performs American culture.
The English Phrasal Verb, 1650–Present
Providing a detailed and comprehensive account of the development of phrasal verbs from early modern to present-day English, this study covers almost 400 years in the history of English, and provides both a diachronic and synchronic account based on over 12,000 examples extracted from stratified electronic corpora. The corpus analysis provides evidence of how registers can inform us about the history of English, as it traces and compares the usage and stylistic drifts of phrasal verbs across ten different genres - drama, fiction, journals, diaries, letters, medicine, news, science, sermons, and trial proceedings. The study also sheds new light on the morpho-syntactic and semantic features of phrasal verbs, proposing a new approach to the category, considering not only on their grammatical features, but also their historical development, by discussing the category in terms of a number of central mechanisms of language change.
Odisea nº 4: Revista de estudios ingleses
Revista de Estudios Ingleses es un anuario dirigido y gestionado por miembros del Departamento de Filología Inglesa y Alemana de la Universidad de Almería con el propósito de ofrecer un foro de intercambio de producción científica en campos del conocimiento tan diversos como la lengua inglesa, literatura en lengua inglesa, didáctica del inglés, traducción, inglés para fines específicos y otros igualmente vinculados a los estudios ingleses.
The Short Story after Apartheid
The Short Story after Apartheid offers the first major study of the anglophone short story in South Africa since apartheid’s end. By focusing on the short story this book complicates models of South African literature dominated by the novel and contributes to a much-needed generic and formalist turn in postcolonial studies. Literary texts are sites of productive struggle between formal and extra-formal concerns, and these brief, fragmentary, elliptical, formally innovative stories offer perspectives that reframe or revise important concerns of post-apartheid literature: the aesthetics of engaged writing, the politics of the past, class and race, the legacies of violence, and the struggle over the land. Through an analysis of key texts from the period by Nadine Gordimer, Ivan Vladislavić, Zoë Wicomb, Phaswane Mpe, and Henrietta Rose-Innes, this book assesses the place of the short story in post-apartheid writing and develops a fuller model of how artworks allow and disallow forms of social thought.
Teaching Crime Fiction
More than perhaps any other genre, crime fiction invites debate over the role of popular fiction in English studies. This book offers lively original essays on teaching crime fiction written by experienced British and international scholar teachers, providing vital insight into this diverse genre through a series of compelling subjects. Taking its starting-point in pedagogical reflections and classroom experiences, the book explores methods for teaching students to develop their own critical perspectives as crime fiction critics, the impact of feminism, postcolonialism, and ecocriticism on crime fiction, crime fiction and film, the crime short story, postgraduate perspectives, and more.
Genre in Language, Discourse and Cognition
The study of genre is scattered across research disciplines. This volume offers an integrative perspective starting from the assumption that genres are cognitive constructs, recognized, maintained and employed by members of a given discourse community. Its central questions are: What does genre knowledge consist of? How is it organized in cognition? How is it applied in discourse production and interpretation? How is it reflected in language use?
Theme in English and German
This book represents a detailed discussion and corpus analysis of Theme in English and German originals and translations. The empirical results are based on thousands of clauses from four different registers, cover a variety of linguistic aspects including multiple Themes, marked Themes, participant roles, agency, and identifiability, and are tested statistically using regression analyses. The book sheds light on one of the most elusive concepts of the systemic functional linguistics framework, Theme, by comparing it with different approaches, related concepts, and realizations in different languages and by examining empirically different Theme models, contrastive differences, and translation effects. Given that Theme in English and German is realized formally by being the first clause constituent and is thus, effectively, a syntactic phenomenon, this monograph is not only relevant for functional linguists, but any interested in English and German word order differences and their effects on translations.
Short Story Theories
Short Story Theories: A Twenty-First-Century Perspective problematizes different aspects of the renewal and development of the short story. The aim of this collection is to explore the most recent theoretical issues raised by the short story as a genre and to offer theoretical and practical perspectives on the form. Centering as it does on specific authors and on the wider implications of short story poetics, this collection presents a new series of essays that both reinterpret canonical writers of the genre and advance new critical insights on the most recent trends and contemporary authors. Theorizations about genre reflect on different aspects of the short story from a multiplicity of per...
