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Carmen
  • Language: en
  • Pages: 348

Carmen

A word-by-word translation in English and IPA, and annotated guides to the dialogue and recitative versions of the opera, this book is a complete reference for anyone studying or producing Bizet's Carmen. It provides all the material necessary for practical use by singers, conductors, coaches, stage directors, opera producers, students and teachers. - from the publisher's notes.

Carmen Pomiés
  • Language: en
  • Pages: 261

Carmen Pomiés

Carmen Pomiès (1900-1982) is a significant figure in the history of women’s football in the interwar years. Carmen was in the first generation of women’s sport in France, first in athletics, winning medals throwing the javelin in international competitions, and playing football for Fémina Sports and France from 1920. Her life in sport is intertwined with key personalities such as Alice Milliat and Violette Morris. Carmen also played a huge part in the story of women’s football in England: she played many times for and against the famous Dick, Kerr Ladies of Preston, including their 1922 football tour of the United States. Carmen became almost an honorary Englishwoman, making lifelong...

Carmen and the Staging of Spain
  • Language: en
  • Pages: 345

Carmen and the Staging of Spain

  • Type: Book
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  • Published: 2019
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  • Publisher: Unknown

Georges Bizet's Carmen and its staging of an exoticized Spain was progressively reimagined between its 1875 Paris premiere and 1915. This book explores Carmen's dynamic interaction with Spanishness in this cosmopolitan age of spectacle, across operatic productions, parodies, and theatrical adaptations from Spain to Paris, London, and New York.

Carmen Abroad
  • Language: en
  • Pages: 387

Carmen Abroad

  • Categories: Art

A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.

Bibliotheca Heberiana ; Catalogue Of The Library Of The Late Richard Heber, Esq
  • Language: en
  • Pages: 392

Bibliotheca Heberiana ; Catalogue Of The Library Of The Late Richard Heber, Esq

  • Type: Book
  • -
  • Published: 1834
  • -
  • Publisher: Unknown

None

Bibliotheca Heberiana Catalogue of the Library of the Late Richard Heber, Esq
  • Language: en
  • Pages: 394

Bibliotheca Heberiana Catalogue of the Library of the Late Richard Heber, Esq

  • Type: Book
  • -
  • Published: 1834
  • -
  • Publisher: Unknown

None

French Books III & IV (FB) (2 vols.)
  • Language: en
  • Pages: 1964

French Books III & IV (FB) (2 vols.)

  • Type: Book
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  • Published: 2011-10-14
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  • Publisher: BRILL

French Books III & IV complete a comprehensive bibliographical survey of all books published in France in the first age of print. It lists over 40,000 editions printed in France in languages other than French during the fifteenth and sixteenth centuries together with bibliographical references, an introduction and indexes. It draws on the analysis of over 3,000 collections situated in libraries throughout the world. French Books will be an invaluable research tool for all students and scholars interested in the history, culture and literature of France, as well as historians of the early modern book world. For vols. I & II please go to French Vernacular Books.

Epic Arts in Renaissance France
  • Language: en
  • Pages: 266

Epic Arts in Renaissance France

  • Categories: Art
  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

'Epic Arts in Renaissance France' examines the relationship between art and literature in 16th-century France, and considers how the epic genre became 'public' via realisations in various other art forms.

Musical Genre and Romantic Ideology
  • Language: en
  • Pages: 553

Musical Genre and Romantic Ideology

European Romanticism gave rise to a powerful discourse equating genres to constrictive rules and forms that great art should transcend; and yet without the categories and intertextual references we hold in our minds, "music" would be meaningless noise. Musical Genre and Romantic Ideology teases out that paradox, charting the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. Genre's persistent power was amplified by music's inevitably practical social, spatial, and institutional frames. Furthermore, starting in the nineteenth century, all music, even the most anti-commercial, was stamped by its relationship to the market...