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The monograph deals with the topic of ghosts in universal literature from a polyhedral perspective, making use of different perspectives, all of which highlight the resilience of these figures from the very beginning of literature up to the present day. Therefore, the aim of this volume is to focus on how ghosts have been translated and transformed over the years within literature written in the following languages: Classical Greek and Latin, Spanish, Italian, and English.
Depois do tratado que intitulou História das plantas, Teofrasto prosseguiu na sua investigação sobre matéria botânica e veio a publicar um segundo conjunto de resultados, agora intitulado Causas das plantas. Assumindo o inevitável diálogo entre os dois títulos, Teofrasto avançou, no entanto, de um inventário para uma reflexão mais técnica, olhando a agricultura como uma ‘arte’ com capacidade para manipular a natureza e servir objetivos de natureza comercial, alimentar e medicinal. Este volume proporciona a primeira tradução existente em português de Causas das plantas de Teofrasto. A exigência da matéria não dispensou a colaboração de uma helenista e de um botânico, ...
O presente livro apresenta a primeira tradução para português do livro I de uma das obras mais relevantes de Galeno de Pérgamo. Este tratado sobre as propriedades dos alimentos oferece uma visão geral do saber de Galeno sobre as ciências naturais, mais precisamente, no âmbito do domínio da medicina e do conhecimento empírico sobre as propriedades da comida e da fisiologia. Ao abordar a natureza das coisas, Galeno de Pergamon tende a usar um processo analítico baseado na relação entre diferentes elementos que interagem em um sistema particular. Relativamente aos antigos hábitos alimentares e à saúde, este modo de obter informação e formular hipóteses tem potencial para gerar...
This volume is the fruit of a highly productive international research gathering academic and professional (field- and museum) colleagues to discuss new results and approaches, recent finds and alternative theoretical assessments of the period of transition and transformation of classical towns in Late Antiquity. Experts from an array of modern countries attended and presented to help compare and contrast critically archaeologies of diverse regions and to debate the qualities of the archaeology and the current modes of study. While a number of papers inevitably focused on evidence available for both Spain and Portugal, we were delighted to have a spread of contributions that extended the picture to other territories in the Late Roman West and Mediterranean. The emphasis was very much on the images presented by archaeology (rescue and research works, recent and past), but textual data were also brought into play by various contributors.
Experiencing and Envisioning Food: Designing for Change contains papers on gastronomy, food design, sustainability, and social practices research as presented at the 3rd International Food Design and Food Studies Conference (EFOOD 2022, Lisbon, Portugal, 28-30 April 2022). The contributions explore potential solutions to current problems in the food system, and outline scenarios on the future of food and nutrition. The book aims at academics and professionals that interact with the food sector.
Throughout the "quest for the historical Jesus," there has been a parallel quest aimed at discovering new and improved methodologies for studying his life. This methodological quest was originally driven by the belief that the Gospels are so unique (even sui generis) among the literary works of their time that such "historical experimentation" (to use Schweitzer's words) is necessary for the task of reconstructing Jesus's life. Although most scholars today characterize the Gospels as a form of Graeco-Roman biography rather than sui generis literature, they nevertheless have continued this quest for new methodologies. This has left historical Jesus studies in a problematic methodological stat...
Scholars have recognized that fake news is not a phenomenon peculiar to the 21st century. While efforts for a more focused approach to fake news in the ancient world have been carried out in the field of Roman history, the phenomenon of fake news in ancient Greece has received limited attention. The contributions in this volume offer a selective approach to this phenomenon by applying media and cultural studies instruments to ancient texts. They pinpoint parallels and differences between ancient and modern fake news by employing methods of literary and cultural studies, as well as historical-documentary analysis of ancient sources. In particular, they explore questions such as: To what exten...
“Beautifully researched and engagingly told, this book captures the bitter conflicts and surprising continuities that marked the emergence of a national style in Brazil as it tells the story of the men and women who, despite their many differences, together created ‘the beautiful game.’”—Roger Kittleson, author of The Country of Football: Soccer and the Making of Modern Brazil “Compellingly shows how each segment of Brazilian society—players, club owners, and spectators, especially the usually neglected female fans—was touched by the sport that it eventually came to proudly embrace as its own.”—Amy Chazkel, coeditor of The Rio de Janeiro Reader: History, Culture, Politics...
By recognizing the pervasive influence that Herodotus’s career as an oral performer had on his composition of the Histories, The Audiences of Herodotus: Oral Performance and the Battle Narratives argues that the Histories’ versions of the three most important battles in the Persian Wars—the battles of Thermopylae, Salamis, and Plataea—persistently and disproportionately advance the interests, biases, and political agendas of distinct audiences in the mid-fifth century, well before Herodotus assembled his famous work of history as it survives to us. The Salamis and Plataea narratives reflect a mid-century audience of Athenians and their allies; the Thermopylae narrative reflects an Amphictyonic audience gathered at the Pythian Festival. Ian Oliver concludes that, as a participant in a culture of wisdom performance (epideixis), Herodotus originally composed short, ideologically motivated performance pieces that he intended to promote tendentious reinterpretations of these momentous events, then relied on these narratives when he composed his final text: the unitary Histories.