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Provocative reappraisal of the portrayal of women in Julio Cortázar's short stories.
A life-altering road trip with one of the greatest writers of the twentieth century.
"While representing the best of human endeavor, works of art have become ordinary features of our lives, familiar and reliably present," writes Richard Teleky. "They are, however, extraordinary. So extraordinary, in fact, that in themselves they are a kind of paradise." In Ordinary Paradise, acclaimed author, critic and editor Richard Teleky considers a variety of artistic forms—from novels and poems to paintings and sculptures to movies and musical compositions—in celebration of the creative achievements that surround us and affect our daily lives. He examines, as well, some of the challenges and tensions in any artist’s life. The essays in Ordinary Paradise challenge conventional wis...
The work of the twentieth-century Argentine writer Cortazar is analyzed by Standish (foreign languages and literature, East Carolina U., Greenville), who writes with the assurance of his long familiarity with the author's work. Of the eight chapters, the first is devoted to Cortazar's life, the remainder to his writing, which is divided chronologically and by genre. Cortazar's own writing on literature and his controversial political identity each merit separate chapters. c. Book News Inc.
Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
This collection of essays is an important contribution to travel writing studies -- looking beyond the explicitly political questions of postcolonial and gender discourses, it considers the form, poetics, institutions and reception of travel writing in the history of empire and its aftermath. Starting from the premise that travel writing studies has received much of its impetus and theoretical input from the sometimes overgeneralized precepts of postcolonial studies and gender studies, this collection aims to explore more widely and more locally the expression of imperialist discourse in travel writing, and also to locate within contemporary travel writing attempts to evade or re-engage with the power politics of such discourse. There is a double focus then to explore further postcolonial theory in European travel writing (Anglophone, Francophone and Hispanic), and to trace the emergence of postcolonial forms of travel writing. The thread that draws the two halves of the collection together is an interest in form and relations between form and travel.
To what extent do best-selling travel books, such as those by Paul Theroux, Bill Bryson, Bruce Chatwin and Michael Palin, tell us as much about world politics as newspaper articles, policy documents and press releases? Debbie Lisle argues that the formulations of genre, identity, geopolitics and history at work in contemporary travel writing are increasingly at odds with a cosmopolitan and multicultural world in which 'everybody travels'. Despite the forces of globalization, common stereotypes about 'foreignness' continue to shape the experience of modern travel. The Global Politics of Contemporary Travel Writing is concerned with the way contemporary travelogues engage with, and try to resolve, familiar struggles about global politics such as the protection of human rights, the promotion of democracy, the management of equality within multiculturalism and the reduction of inequality. This is a thoroughly interdisciplinary book that draws from international relations, literary theory, political theory, geography, anthropology and history.
This compelling story explores the motley crew of characters--including mother-turned-stripper Gloria, alcoholic Tim, frequent jailbird Charlie, and the suicidal wife of a rich doctor--who call the rundown Hôtel des Voyageurs home. Mesmerizing in its passion and humility, the narrative evokes the despair and innocence present in modern urban surroundings.
The Heir ... Apparently tells the story of the rise of a simple fishmonger who unexpectedly inherits a dukedom. His family then face the many trials and tribulations of restoring and running an extravagant but dilapidated mansion. Can they succeed against the odds? In Ashes to Ashes, a short story exploring some of the characters in The Heir ... Apparently, after the skeletal remains of a body are found in the cathedral. The hunt is on for the murderer, but can he or she be found after so many years?
The author, one of the most influential Latin Americanists in the US, has published a number of books, but none display the importance of her work in literary criticism, cultural studies and marxist and feminist theory as successfully as this collection o