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The players include the patient along with the shaman and his troupe.
Medical systems need to be understood from within, as experienced by healers, patients, and others whose minds and hearts have both become involved in this important human undertaking. Exploring how the performance of healing transforms illness to health, initiate to ritual specialist, the authors show that performance does not merely refer to, but actually does something in the world. These essays on the performance of healing in societies ranging from rainforest horticulturalists to dwellers in the American megalopolis will touch readers' senses as well as their intellects.
In this widely-praised study, Carol Laderman provides a vivid picture of the daily life of rural Malays as she focuses on their dietary practices and the ritual and medical aspects of childbirth procedures. Apprenticed to a village midwife and a local shaman, she was able to observe a traditional culture adapting to modern practices.
This is the first in-depth study of the Malay martial art, silat, and the first ethnographic account of the Haqqani Islamic Sufi Order. Drawing on 12 years of research and practice, the author provides a major contribution to the study of Malay culture.
"From the perspectives of history and cultural anthropology, the authors consider problems of knowledge in Chinese medicine, the Hindu-Buddhist traditions of South Asian medicine, and the Greco-Arabic traditions of Islamic medicine.".
"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.
This Introduction surveys the beliefs, rituals and techniques found in shamanic traditions around the world.
Thirty years ago, anthropologist Laurel Kendall did intensive fieldwork among South Korea’s (mostly female) shamans and their clients as a reflection of village women’s lives. In the intervening decades, South Korea experienced an unprecedented economic, social, political, and material transformation and Korean villages all but disappeared. And the shamans? Kendall attests that they not only persist but are very much a part of South Korean modernity. This enlightening and entertaining study of contemporary Korean shamanism makes the case for the dynamism of popular religious practice, the creativity of those we call shamans, and the necessity of writing about them in the present tense. S...
This wide ranging book explores the relationship between cuisine and class structure, and examines how cooking in the Third World is changing as a result of the impact of the West. Material discussed is both historical and anthropological, and ranges from China to Britain.
This rich ethnography in a rural village in North Bali illuminates the construction of desire by exploring cultural practices regarding courtship and marriage, motherhood, and connubial fidelity. The way these cornerstones of daily life are played out in the alternative arenas of tourism and illness highlight pervasive gender disparities in the expression of sexuality. By allowing key informants to tell their stories in their own voices and by skillfully interweaving fictionalized interludes, the author gives us not only a rigorously researched ethnography but an intimate and fully realized portrait of Balinese women's innermost desires.