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The winner of the Flannery O'Connor Award for Short Fiction offers a collection of short stories including "Something Almost Invisible," about a mother and son "living in slow motion," and Unconfirmed Invitations," in which an alcoholic father has a bizarre compulsion. UP.
Georgia has produced some of the major figures of modern literature, including Carson McCullers, Erskine Caldwell and, most notably, Flannery O'Connor. While such writers are firmly established in American literary history, all too few readers are aware of how the state's tradition of literary excellence persists in the present day. The thirty stories in After O'Connor were written during the past fifteen years by authors who were born in Georgia or spent a significant part of their lives and careers in this state. Embracing the social, cultural, and ethnic variety in today's Georgia, After O'Connor both advances and helps redefine the great southern storytelling tradition.
Stories selected from winning volumes published in the series first fifteen years, from David Walton’s Evening Out (1983) to Andy Plattner’s Winter Money (1997).
If you have Voices you'd better listen to them Flannery O'Connor once said. Since 1982 the University of Georgia Press has published the winners of the Flannery O'Connor Award for Short Fiction, one of the country's most prestigious literary awards. Now celebrating its fifteenth year, the award continues to introduce some of the most exciting new voices in fiction writing today. Listening to the Voices is a dazzling collection of stories from the most recent winners of the award.
2017-2018 Sarton Women's Book Awards Winner in Historical Fiction 2018 International Book Awards Finalist in Fiction: Historical Emilia Bassano has four strikes against her: she is poor, beautiful, female, and intelligent in Elizabethan England. To make matters worse, she comes from a family of secret Jews. When she is raped as a teenager, she knows she probably will not be able to make a good marriage, so she becomes the mistress of a much older nobleman. During this time she falls in love with poet/player William Shakespeare, and they have a brief, passionate relationship—but when the plague comes to England, the nobleman abandons her, leaving her pregnant and without financial security. In the years that follow, Emilia is forced to make a number of difficult decisions in her efforts to survive, and not all of them turn out well for her. But ultimately, despite the disadvantaged position she was born to, she succeeds in pursuing her dreams of becoming a writer—and even publishes a book of poetry in 1611 that makes a surprisingly modern argument for women’s equality.
Lum has always been on the outside. At eight, she was diagnosed with what we now call an intersex condition and is told she can't expect to marry. Now, at thirty-three, she has no home of her own but is shuttled from one relative's house to another—valued for her skills, but never treated like a true member of the family. Everything is turned upside down, however, when the Blue Ridge Parkway is slated to come through her family’s farmland. As people take sides in the fight, the community begins to tear apart—culminating in an act of violence and subsequent betrayal by opponents of the new road. However, the Parkway brings opportunities as well as loss.
Caught in the muddle of modern life, eyes gazing at the middle distance, the characters in Silent Retreats search, down roads paved by custom and dotted by the absurd, for escape, refuge, or, at least, merciful diversion. Many of the men in Philip Deaver's stories, having drifted out of their native Illinois to the far corners, find comfort from empty jobs and blank relationships in healing, often hilarious, seductions. In "Why I Shacked Up With Martha" a distracted DC executive pierces the gray blur of his glass box on Dupont Circle with illicit, painfully superficial notes passed to his beautiful, liberated coworker. In "Marguerite Howe," a businessman from Texas at a cocktail party in New...
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The Goat Woman of Largo Bay begins the detective series featuring Shad, a bartender in a fishing village in Jamaica, who is the community problem solver and right hand of Eric, an American who owns the bar and a hotel left in ruins by a hurricane. When Shad sees movement on the island offshore, he thinks it’s just a goat. But it turns out to be Simone, an American who has run away from her professional and personal life in the U.S., an intriguing woman who captures Eric's heart. Always keeping his ear to the ground, Shad discovers that a gunshot heard near Simone’s place late one night isn’t exactly friendly fire, rather it’s tied to a plot to harm Simone and ultimately manipulate local elections. But why does someone want to harm Simone? And what does she have to do with the elections? Only Shad can find out. An irresistible character is born in The Goat Woman of Largo Bay and Royes wonderfully blends suspense and the soul of the islands in this smart debut.