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"What do CNET pop culture writer Bonnie Burton, Governor General Award-winning poet David Zieroth, journalist/novelist Sparkle Hayter, novelist/screenwriter John Patrick Gillese, and Canadian sport journalist Dick Beddoes have in common besides growing up on the Canadian Prairies? They were all first published in the Young Co-operator's Pages, a section of the Saskatoon-based farm newspaper, The Western Producer. Violet McNaughton, a women's advocate and editor at the Producer, created the club for young writers in 1927. It continued on, inspiring a love of literature and writing in children for nearly 60 years. Lily in the Loft is a picture book for children ages 6-9. It is a fictional story, set in 1947 Saskatchewan, based on the experiences of thousands of children across all the prairie provinces (and even some outside this region) who eagerly awaited "newspaper day" to see their words in print. To this day, former Young Co-ops keep in touch with each other via a Facebook group. This is a book of regional historical interest. However, it is also a universal story about perseverance and determination in reaching one's goals."--
When Eileen Munro's mother became pregnant at 16, she was told to give her baby away to a 'good family', but the couple who paid the fee at the Salvation Army mother-and-baby home in Glasgow in 1963 turned out to be alcoholics who neglected and physically abused Eileen. Then, when their marriage broke down, they failed to protect her from sexual abuse at the hands of a family friend. After watching her adoptive mother drown on inhaled vomit, Eileen and her younger sister were taken into care, but her nightmare was to continue as she was subjected to further physical, sexual and emotional abuse. At the age of only seventeen, seven months into a secret pregnancy, she decided that the only way out was through a bottle of painkillers; when she survived and gave birth to a beautiful baby boy, he became her lifeline.
FASCINATING NOVEL EXPLORES JESUS AND MARY’S CONTROVERSIAL BOND THROUGH THE LENSES OF CULTURAL, SOCIAL, POLITICAL AND HISTORICAL CONTEXTS. Mary Magdalene and Jesus of Nazareth’s mysterious, legendary connection can only be realized by revisiting their story through its Greco-Roman, Mediterranean cultural context. Early theologians censored details about theater, literature, dress, cuisine, wedding rituals, glass manufacturing, silk trade, politics and architecture of Mary Magdalene’s time when they did not fit dogma and doctrine. Cultural Historian Carol Aldenhoven McKay retrieves these lost frameworks as the story line follows McKay’s meticulous reconstruction of a formerly forgotten way of life. Blood and Silk: The Hidden Love Story of Mary Magdalene and Jesus of Nazareth is a novel fifteen years in the making.
New insights into the shifting cultures of today’s ‘hypervisual’ digital universe With the advent of digital technologies and the Internet, photography can, at last, fulfill its promise and forgotten potential as both a versatile medium and an adaptable creative practice. This multidisciplinary volume provides new insights into the shifting cultures affecting the production, collection, usage, and circulation of photographic images on interactive World Wide Web platforms.
The Journey Goes On is an astonishing collection of some of the best poetry and short fiction by the writers of the Scottish based Writers Group, Men With Pens. This Anthology has a strong mix of humour, pathos, drama and intrigue, all written with a commitment to breaking new ground in this creative field.
This work provides an introduction to the visual arts in Germany from the early years of German unification to World War II. The study is an analysis of painting, sculpture, graphic art, design, film and photography in relation to a wider set of cultural and social issues that were specific to German modernism. It concentrates on the ways in which the production and reception of art interacted with and was affected by responses to unification, conflict between left and right political factions, gender concerns, contemporary philosophical and religious ideas, the growth of cities, and the increasing important of mass culture.
Illustrates how Edwardian houses were built, how they were used, and what they meant at the time.
Vision traditionally occupies the height of the sensorial hierarchy. The sense of clarity and purity conveyed by vision, allows it to be explicitly associated with truth and knowledge. The law has always relied on vision and representation, from eye-witnesses to photography, to imagery and emblems. The law and its normative gaze can be understood as that which decrees what is permitted to be and become visible and what is not. Indeed, even if law’s perspectival view is bound to be betrayed by the realities of perception, it is nonetheless productive of real effects on the world. This first title in the interdisciplinary series ‘Law and the Senses’ asks how we can develop new theoretical approaches to law and seeing that go beyond a simple critique of the legal pretension to truth. This volume aims to understand how law might see and unsee, and how in its turn is seen and unseen. It explores devices and practices of visibility, the evolution of iconology and iconography, and the relation between the gaze of the law and the blindness of justice. The contributions, all radically interdisciplinary, are drawn from photography, legal theory, philosophy, and poetry.