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Point of Departure
Sometimes on our life's journey, it seems as if we've lost our way. In this contemporary novel, Joanna Quinn's journey mirrors the struggles nearly all of us face at some point in the progress of our own lives. This is how her story begins: "Things just wouldn't add up. She'd been at it a solid hour. Joanna leaned on her elbows over the yellow legal pad and frowned at the last figure she had circled, nearly lost among the uneven columns of numbers, cross outs, cryptic notations and pointing arrows. If she could just get to next week's paycheck" Alone on that bleak March night, Joanna Quinn finds her patched-together life coming undone. Deserted by her husband and isolated from her family, sh...
Downstream
As summer begins in Black Creek Falls, Maggie seeks the truth of a family-shattering event. Aided by her friend, Luke, a Vietnam vet, they mend their troubled pasts and find love.
Identity and the Quartered Circle
Identity and The Quartered Circle is an eclectic Wiccan discussion of the search for identity through the power of a cast circle and the four directions. The book defines the Circle as a container for magic. A chapter on psychological identity follows. From casting a circle to meeting the Elementals and winged spirits of faerie, the author leads the reader on a personal journey in consciousness. At its conclusion we can speak intelligently of merger with the Gods and Oneness and the reader can answer the big four questions: Who Am I, Why am I here, Where did I come from and Where am I going? ,
Answering Avalon's Call
In the summer of 2001 Carol Ohmart Behan made her first pilgrimage to Glastonbury, re-tracing the ancient pilgrim-path to the Isle of Avalon, luminous sanctuary of the Goddess and the Grail. Her quest became a catalyst for her work as a writer, pilgrimage leader, and teacher of Earth-wisdom. A dramatic encounter with her past-life self as a 16th-century healer opened the door to her true 21st-century identity as an Earth-healer and voice of the Divine Feminine, which is re-emerging in the world once again.
Television Westerns Episode Guide
Since Hopalong Cassidy and the Lone Ranger blazed their first trails on television in 1949, Westerns have been the genre of choice for 180 series. Some ( Gunsmoke, Bonanza, and Maverick, for example) were classics; others, such as 26 Men and Shotgun Slade, were quickly forgotten. From Adventures of Briscoe County, through Zorro and Son, this comprehensive reference work covers all 180 Western series. Each entry opens with a listing of the broadcast history of the series, including original network, day and time. This is followed by a listing of the regular cast members and a brief premise of the series. The individual episodes are then covered, with the title, original air date, leading guest stars and a brief synopsis given. An exhaustive index completes the work.
Daily Variety
None
Southwestern Desert Resources
The southwestern deserts stretch from southeastern California to west Texas and then south to central Mexico. The landscape of this region is known as basin and range topography featuring to “sky islands” of forest rising from the desert lowlands which creates a uniquely diverse ecology. The region is further complicated by an international border, where governments have caused difficulties for many animal populations. This book puts a spotlight on individual research projects which are specific examples of work being done in the area and when they are all brought together, to shed a general light of understanding the biological and cultural resources of this vast region so that those same resources can be managed as effectively and efficiently as possible. The intent is to show that collaborative efforts among federal, state agency, university, and private sector researchers working with land managers, provides better science and better management than when scientists and land managers work independently.
Seeing Things 2
Poems by members of the Seeing Things poetry workshop of Bright Hill Press and Literary Center, Treadwell, New York.
