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“Ravishing… as if Saavedra were a modern-day Borges.” —Luis Alberto Urrea, O, The Oprah Magazine A novel of dark obsession, missed connections, and violent love. Marcos has just been through a divorce and moved into a new apartment. He feels alienated from his ex-wife, from his daughter, from society; everything feels flat and fake to him. He begins to receive letters at his new address from an anonymous troubled woman who signs off as A. and who clearly believes she is writing to the former tenant, her ex-lover, in the aftermath of a violent heartbreak. Marcos falls under the spell of the manic, hypnotic missives and for the first time in years, something moves him. Blue Flowers alternates between the letters detailing the dissolution of A.'s relationship, and Marcos' growing fixation with this damaged person. The letters become a kind of exorcism as both A.'s epistolary affair and Marcos' personal life reach a crisis point. Possessed by A., he is driven to discover her true identity. Blue Flowers is a dark portrait of desire, undermining accepted truths about love and sex, violence and fear, men and women.
A twisted young medical student kidnaps the girl of his dreams and embarks on a dark and delirious road trip across Brazil in the English-language debut of Brazil's most celebrated young crime writer. Teo Avelar is a loner. He lives with his paraplegic mother and her dog in Rio de Janeiro, he doesn't have many friends, and the only time he feels honest human emotion is in the presence of his medical school cadaver—that is, until he meets Clarice. She's almost his exact opposite: exotic, spontaneous, unafraid to speak her mind. An aspiring screenwriter, she's working on a screenplay called Perfect Days about three friends who go on a road trip across Brazil in search of romance. Teo is obse...
American English File Second Edition retains the popular methodology developed by world-renowned authors Christina Latham-Koenig and Clive Oxenden: language + motivation = opportunity. With grammar, vocabulary, and pronunciation practice in every lesson, students are equipped with a solid foundation for successful speaking. Plus - an array of digital resources provides even more choice and flexibility. Students can learn in the classroom or on the move with Online Practice. language assessment. The first goal is to explore the difference between fairness and justice in language assessment. The authors distinguish internal and external dimensions of the equitable and just treatment of individ...
This book is about contemporary Brazilian fiction from the past two decades and concerned with the possibilities of literary intervention in the reality of the historical moment. Thus, an understanding of the actual role of literature is strategic in the definition of the contemporary, and the book shows an optimism among current writers and artists with respect to the aesthetic, ethical, and political role of literature and art in the twentieth century. In contemporary Brazilian prose, two simultaneous ambitions are often reconciled. The commitment to individual or social reality is a challenge that is assumed without thereby necessarily accepting and following the molds of the traditional search for national or cultural identities. This foundation is one of the constants of contemporary prose, without thereby eliminating the continuous existence of a formal experimentalism that is the clearest heir of the modernist project.
Esta dissertação visa a discutir e refletir sobre o tema viagem a partir de dois conceitos: o deslocamento e o despaisamento. A viagem é vista como um processo, uma jornada que se dá por duas vias, a física e a metafórica. Trata-se aqui de compreender tais conceitos com base em ideias dos teóricos Michel Onfray, Renato Modernell e Alain de Botton, principalmente. Parte-se de termos como espaço e tempo, dimensão e intervalo; é apresentado ainda um terceiro entendimento, o do processo de individuação. Este comporta as forças afetivas e efetivas – emocionais e morais – das experiências vividas pelo indivíduo na viagem da vida, no constructo de sua subjetivação. Assim, tomad...
The Soviet biologist Irina Granina has experienced the worst of Communism, struggling to free her husband from the gulag for years. Following the rise of Gorbachev, her husband finally emerges a changed man, but then Irina is forced to witness the worst of capitalism, as her daughter disappears into the new consumer society and she loses her husband again, this time to greed and a lust for power. In the West, Jennifer Moore, a wealthy American, takes a high-ranking job at the IMF, hoping to bring the free market economy to all, whilst dealing with her philandering husband.
"In his will, Senhor da Silva Araujo has left a memoir that is a touching web of elaborate self-deceptions. He desired so ardently to prosper, to be taken seriously, and to join (perhaps, if they would have him) the exclusive Gremio country club. But most of all, he wanted to be a good man. And yet, shady deals, twists of fate, an illegitimate child: such is the lot of poor, self-critical Senhor da Silva Araujo. A bit like Calvino's Mr. Palomar in his attention to protocol and in his terror of life's passions; a bit like Svevo's Zeno (a little pompous, a little old-fashioned, and often hapless) Senhor da Silva Araujo moves along a deliciously blurry line between farce and tragedy: a self-important buffoon becomes a fully human, even tragic, figure in the arc of this novel."--BOOK JACKET.
In Creative Transformations, Krista Brune brings together Brazilian fiction, film, journalism, essays, and correspondence from the late nineteenth to the early twenty-first centuries. Drawing attention to the travels of Brazilian artists and intellectuals to the United States and other parts of the Americas, Brune argues that experiences of displacement have had a significant influence on their work. Across Brazilian literary and cultural history, translation becomes a way of navigating and representing the resulting encounters between languages, interactions with Spanish Americans, and negotiations of complex identities. While Creative Transformations engages extensively with theories of translation from different national and disciplinary contexts, it also constructs a vision of translation uniquely attuned to the place of Brazil in the Americas. Brune reveals the hemispheric underpinnings of works by renowned Brazilian writers such as Machado de Assis, Sousândrade, Mário de Andrade, Silviano Santiago, and Adriana Lisboa. In the process, she rethinks the dynamics between cosmopolitan and national desires and between center and periphery in global literary markets.
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