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Colour Studies
This volume presents some of the latest research in colour studies by specialists across a wide range of academic disciplines. Many are represented here, including anthropology, archaeology, the fine arts, linguistics, onomastics, philosophy, psychology and vision science. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS12) conference held at the University of Glasgow. Papers from the earlier PICS04 and PICS08 conferences were published by John Benjamins as Progress in Colour Studies, 2 volumes, 2006 and New Directions in Colour Studies, 2011, respectively. The opening chapter of this new volume stems from the conference keynote talk on prehistoric colour semantics by Carole P. Biggam. The remaining chapters are grouped into three sections: colour and linguistics; colour categorization, naming and preference; and colour and the world. Each section is preceded by a short preface drawing together the themes of the chapters within it. There are thirty-one colour illustrations.
The Semantics of Colour
Human societies name and classify colours in various ways. Knowing this, is it possible to retrieve colour systems from the past? This book presents the basic principles of modern colour semantics, including the recognition of basic vocabulary, subsets, specialised terms and the significance of non-colour features. Each point is illustrated by case studies drawn from modern and historical languages from around the world. These include discussions of Icelandic horses, Peruvian guinea-pigs, medieval roses, the colour yellow in Stuart England, and Polynesian children's colour terms. Major techniques used in colour research are presented and discussed, such as the evolutionary sequence, Natural Semantic Metalanguage and Vantage Theory. The book also addresses whether we can understand the colour systems of the past, including prehistory, by combining various semantic techniques currently used in both modern and historical colour research with archaeological and environmental information.
A Cultural History of Color in the Age of Enlightenment
"A Cultural History of Color presents a history of 5000 years of color in western culture. The first systematic and comprehensive history, the work examines how color has been perceived, developed, produced and traded, and how it has been used in all aspects of performance - from the political to the religious to the artistic - and how it shapes all we see, from food and nature to interiors and architecture, to objects and art, to fashion and adornment, to the color of the naked human body, and to the way our minds work and our languages are created"--
New Directions in Colour Studies
Offers a perspective on the field, ranging from studies of individual languages through papers on art, architecture and heraldry to psychological examinations of aspects of colour categorization, perception and preference.
Progress in Colour Studies: Language and culture
Along with its companion volume, this book offers a fascinating glimpse into the current avenues of research into colour, a phenomenon which daily affects all our lives in often surprising ways. The majority of the papers originated in a 2004 conference entitled 'Progress in Colour Studies' which was held in the University of Glasgow, U.K. The contributions to this first volume, which is principally linguistic and anthropological in content, and to its companion on the psychological aspects of colour, present either summaries of state-of-the-art colour research in various disciplines, or in-depth accounts of certain aspects of such work. This volume includes approaches such as Natural Semantic Metalanguage, social network analysis, quantitative analysis, type modification, vantage theory, the centrality of social norms of inference, place-names and heraldry. In the process, new insights are offered into the following languages: English, French, Portuguese, Sorbian, Burarra, Cape Breton Gaelic, Tzotzil, and others.
Progress in Colour Studies
This volume presents authoritative and up-to-date research in colour studies by specialists across a wide range of academic disciplines, including vision science, psychology, psycholinguistics, linguistics, anthropology, onomastics, philosophy, archaeology and design. The chapters have been developed from papers and posters presented at the Progress in Colour Studies (PICS2016) conference held at University College London in September 2016. The book continues the series from the earlier PICS conferences, which have become renowned for their insights into colour in language and cognition. In the present book all chapters have been rigorously peer-reviewed and revised to ensure the highest standards throughout. The chapters are grouped into three sections: Colour Perception and Cognition; The Language of Colour; and The Diversity of Colour. Each section is preceded by a short introduction drawing together the themes of its chapters. There are over 120 colour illustrations.
Blue in Old English
Blue in Old English represents the first thorough investigation of an area of the colour semantics of Old English, and the methodology developed for this study is believed to be appropriate for researching the colour semantics of any language which survives only in recorded texts. By means of a collection of in-depth word-studies, which suggest new interpretations of many well-known passages, an understanding of how blueness was described in Old English is developed. The approach is interdisciplinary, using evidence from subjects such as botany, manuscript illustration, etymology, early technologies, and others. The conclusion contradicts certain previously held views on Old English colour, and presents a hitherto obscured sociolinguistic picture of differing language use among various groups of Old English speakers.
Progress in Colour Studies: Psychological aspects
The study of colour attracts researchers from a wide range of disciplines from both the sciences and the arts. Along with its companion volume, Progress in Colour Studies 1: Language and Culture, this book offers a fascinating insight into current issues and research into colour. Most of the papers originated in a 2004 conference entitled 'Progress in Colour Studies' held in the University of Glasgow, U.K. Some additional invited papers are included from investigators exploring new and exciting avenues of colour research. The contributions to both books represent reviews of state-of-the-art colour research in various disciplines, and some new research findings are reported. This volume, principally psychological in content, focuses on the development of colour perception and colour language, from infancy into adulthood, across a diverse range of cultures, including English, Himba, Chinese, and Mexican, and on the intriguing yet perplexing condition of synaesthesia, thus bridging research from the physiology, psychology and anthropology of colour.
The Daily Lives of the Anglo-Saxons
Essays in Anglo-Saxon Studies v.8 (Glasgow, 2015). Insights into the lives of any group of historical people are provided by three main types of evidence: their language, their literature and their material culture. The contributors to this volume draw on all three types of evidence in order to present new research into the lives of the Anglo-Saxons. The particular focus is on daily life - the ordinary rather than the extraordinary, the normal rather than the exceptional. Rather than attempting an overview, the essays address individual scenarios in greater depth, but with an emphasis on shared experience. The following scholars have contributed essays to this collection: Martha Bayless Univ...
Blue in Old English
Blue in Old English represents the first thorough investigation of an area of the colour semantics of Old English, and the methodology developed for this study is believed to be appropriate for researching the colour semantics of any language which survives only in recorded texts. By means of a collection of in-depth word-studies, which suggest new interpretations of many well-known passages, an understanding of how blueness was described in Old English is developed. The approach is interdisciplinary, using evidence from subjects such as botany, manuscript illustration, etymology, early technologies, and others. The conclusion contradicts certain previously held views on Old English colour, and presents a hitherto obscured sociolinguistic picture of differing language use among various groups of Old English speakers.
