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The Cambridge Introduction to Anglo-Saxon Literature
Introducing Anglo-Saxon literature in an approachable way, this is an indispensable guide for students to a key literary topic.
A Companion to Medieval Poetry
MEDIEVAL POETRY In a series of original essays from leading literary scholars, this Companion offers a chronological sweep of medieval poetry from Old English to the great genres of romance, narrative, and alliterative poetry of the 15th century. Beginning in the Anglo-Saxon period, the volume explores the Old English language and its alliterative tradition, before moving on to examine the genres of heroic, devotional, wisdom and epic poetry, culminating in a discussion of arguably the founding text of the English literary canon, the great epic Beowulf. In part two, the Companion moves on to discuss the linguistic and social changes brought about as a result of the Norman Conquest, exploring...
The Text and Tradition of La[y]amon's Brut
Essays reflecting the present state of Layamon studies, identifying problems and outlining current directions in research.
A History of Old English Literature
This timely introduction to Old English literature focuses on the production and reception of Old English texts, and on their relation to Anglo-Saxon history and culture. Introduces Old English texts and considers their relation to Anglo-Saxon culture. Responds to renewed emphasis on historical and cultural contexts in the field of medieval studies. Treats virtually the entire range of textual types preserved in Old English. Considers the production, reception and uses of Old English texts. Integrates the Anglo-Latin backgrounds crucial to understanding Old English literature. Offers very extensive bibliographical guidance. Demonstrates that Anglo-Saxon studies is uniquely placed to contribute to current literary debates.
Imagining the Pagan Past
Imagining the Pagan Past explores stories of Britain's pagan history. These tales have been characterised by gods and fairies, folklore and magic. They have had an uncomfortable relationship with the scholarly world; often being seen as historically dubious, self-indulgent romance and, worse, encouraging tribal and nationalistic feelings or challenging church and state. This book shows how important these stories are to the history of British culture, taking the reader on a lively tour from prehistory to the present. From the Middle Ages to the twenty-first century, Marion Gibson explores the ways in which British pagan gods and goddesses have been represented in poetry, novels, plays, chronicles, scientific and scholarly writing. From Geoffrey of Monmouth to Edmund Spenser, William Shakespeare to Seamus Heaney and H.G. Wells to Naomi Mitchison it explores Romano-British, Celtic and Anglo-Saxon deities and fictions. The result is a comprehensive picture of the ways in which writers have peopled the British pagan pantheons throughout history. Imagining the Pagan Past will be essential reading for all those interested in the history of paganism.
Lexis and Texts in Early English
These papers reflect the long and distinguished career of Professor Jane Roberts in the field of medieval English studies, and especially her pioneering work on A Thesaurus of Old English, which provides novel source material for several of the contributions to the volume. Many of the papers deal with aspects of early lexicology and lexicography, while others focus on linguistic and literary features of Old and Middle English texts and their interpretation. They will thus be of interest to researchers in many areas of early English. A special introductory article describes the interlinked development of A Thesaurus of Old English, The Historical Thesaurus of English, and the proposed Thesaurus of Middle English. Contributors include: Rosamund Allen, Janet M. Bately, Carole P. Biggam, Michelle Brown, Julie Coleman, Janet Cowen, Jodi-Ann George, Joyce Hill, Rosemary Huisman, Giovanni Iarmartino, George Kane, Éamonn Ó Carragáin, Michiko Ogura, Peter Orton, Jeremy J. Smith, E.G. Stanley, Paul Szarmach, Ronald Waldron.
Torture and Brutality in Medieval Literature
A new look at the way in which medieval European literature depicts torture and brutality.
Anglo-Saxon England: Volume 30
The pre-eminence of Anglo-Saxon England in its field can be seen as a result of its encouragement of interdisciplinary approaches to the study of all aspects of Anglo-Saxon culture. Thus this volume includes an important assessment of the correspondence of St Boniface, in which it is shown that the unusually formulaic nature of Boniface's letters is best understood as a reflex of the saint's familiarity with vernacular composition. A wide-ranging historical contextualization of The Letter of Alexander to Aristotle illuminates the way English readers of the later tenth century may have defined themselves in contradistinction to the monstrous unknown, and a fresh reading of the gendering of female portraiture in a famous illustrated manuscript of the Psychomachia of Prudentius (CCCC 23) shows the independent ways in which Anglo-Saxon illustrators were able to respond to their models. The usual comprehensive bibliography of the previous year's publications rounds off the book; and a full index of the contents of volumes 26-30 is provided. (Previous indexes have appeared in volumes 5, 10, 15, 20 and 25.)
The Idea of Anglo-Saxon England in Middle English Romance
Using a variety of texts, but the Matter of England romances in particular, the author argues that they show a continued interest in the Anglo-Saxon past, from the localised East Sussex legend of King Alfred that underlies the twelfth-century Proverbs of Alfred, to the institutional interest in the Guy of Warwick narrative exhibited by the community of St Swithun's Priory in Winchester during the fifteenth century; they are part of a continued cultural remembrance that encompasses chronicles, folk memories, and literature."--BOOK JACKET.
Reconstructing Alliterative Verse
This book explores the history and development of English alliterative meter, and considers why the form has remained so enigmatic.
