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Shielding offers a collection of conceptual approaches through which bodies, intentionally or involuntarily, become shields. Bodies take on an ambivalent status in the process: they serve as protection or a buffer and express resistance. At the same time, they turn and are turned into weapons when they intervene on the ground and politically, in war, conflicts, and through activism. The contributors address the idea of bodily integrity, both in a material sense and with regard to the symbolic and ethical relations that a body entangles. The book engages with ongoing debates around the re-evaluation of corporeality and embodiment in contemporary socio-political contexts.
In recent years, much research has been dedicated to the relationship between politics and aesthetics and, in particular, to the political power of aesthetics. This book makes a claim for what comes before any political decision is made and action taken; for what precedes the need for the subject to take a specific stance and adopt a particular (political) attitude. It interprets the "in-between space of aesthetics" (Erika Fischer-Lichte), where production and reception have traditionally met, as a topos within which "action itself is called into question" (Joseph Vogl). This is a space where aesthetics and ethics converge to trouble affirmations and beliefs, and to challenge the subject. By...
This incredibly timely volume offers insight into how educational leadership is managed, demonstrated, and enacted in zones of conflict, underlining the pivotal role educational leadership plays in peacebuilding and conflict-resolution efforts internationally. Employing qualitative, quantitative, and theoretical methodologies, as well as on-the-ground lived experiences and empirical case studies, the book’s diverse chapters showcase perspectives from areas of current or historic conflicts in Israel, Ukraine, Russia, Germany, USA, Afghanistan, Pakistan, and Norway. Guided by the overarching themes of resilience, decision-making, inclusion, and post-conflict rebuilding, the chapters focus on...
In specialized literature as well as in the eyes of regular citizens, social movements are often considered to be actors of democratization. Among other things, social movements criticize existing deficits in democratic systems; they promote practices of deliberation and enact non-hierarchical structures that challenge existing democratic institutions. Very often, these challenges emerge from the context of struggle against unjust situations involving social exclusion, economic inequalities or the violation of fundamental rights. Democratization and Struggles Against Injustice draws on the insights of one of the greatest American philosophers, John Dewey, as well as on some central intuition...
Literary Representations of Precarious Work, 1840 to the Present sheds new light on literary representations of precarious labor from 1840 until the present. With contributions by experts in American, British, French, German and Swedish culture, this book examines how literature has shaped the understanding of socio-economic precarity, a concept that is mostly used to describe living and working conditions in our contemporary neoliberal and platform economy. This volume shows that authors tried to develop new poetic tools and literary techniques to translate the experience of social regression and insecurity to readers. While some authors critically engage with normative models of work by zooming in on the physical and affective backlash of being a precarious worker, others even find inspiration in their own situations as writers trying to survive. Furthermore, this volume shows that precarity is not an exclusively contemporary phenomenon and that literature has always been a central medium to (critically) register forms of social insecurity. By retrieving parts of that archive, this volume paves the way to a historically nuanced view on contemporary regimes of precarious work.
This edited collection contributes to the study of conspiracy culture by analysing the relationship of literary forms to the formation, reception, and transformation of conspiracy theories. Conspiracy theories are narratives, and their narrative form provides the structure within which their ‘readers’ situate themselves when interpreting the world and its history. At the same time, conspiracist interpretations of the world may then be transmediated into works of literature and import popular discourse into narrative structures. The suppression and disappearance of books themselves may generate conspiracy theories and become co-opted into political dissent. Additionally, literary criticism itself is shown to adopt conspiracist modes of interpretation. By examining conspiracy plots as literary plots, with narrative, rhetorical, and symbolic characteristics, this volume is the first systematic study of how conspiracy culture in American and European history is the consequence of its interactions with literature. This book will be of great interest to researchers of conspiracy theories, literature, and literary criticism.
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THE SELLOUT meets INTERIOR CHINATOWN in this satirical debut about race, sexuality and truth. German-Polish-Indian student Nivedita's world is upended when she discovers that her beloved professor who passed for Indian was born white. Nivedita (a.k.a. Identitti), a doctoral student who blogs about race with the help of Hindu goddess Kali, is in awe of Saraswati, her outrageous superstar post-colonial and race studies tutor. But Nivedita's life and sense of self begin to unravel when it emerges that Saraswati is actually white. Hours before she learns the truth Nivedita praises her tutor in a radio interview, jeopardising her own reputation and igniting an angry backlash among her peers and o...
This volume casts a critical light on one of Germany’s bestselling and most controversial authors. Juli Zeh’s literary work is not only widely read in Germany, but also featured on high school and college syllabi both in Germany and abroad. In recent years and in the wake of the Covid 19 lockdowns, Zeh’s output has only increased, though her most recent work, Unterleuten (2016), Über Menschen (2021), and Zwischen Welten (2023; co-written with Simon Urban), has evolved away from the literary and philosophical thought that informed her more nuanced earlier work and towards a more conservative representation of contemporary social dynamics. While her work continues to garner prestigious ...