You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
It is generally agreed that there is significant irony in the Bible. However, to date no work has been published in biblical scholarship that on the one hand includes interpretations of both Hebrew Bible and New Testament writings under the perspective of irony, and on the other hand offers a panorama of the approaches to the different types and functions of irony in biblical texts. The following volume: (1) reevaluates scholarly definitions of irony and the use of the term in biblical research; (2) builds on existing methods of interpretation of ironic texts; (3) offers judicious analyses of methodological approaches to irony in the Bible; and (4) develops fresh insights into biblical passages.
Unveränderter Nachdruck der Originalausgabe von 1881.
Unveränderter Nachdruck der Originalausgabe von 1881.
You will love this story about the massive and impressive Teutonic woman. Excerpt: It is certain that the prehistoric Germanic community began with the communal use of women for pleasure or profit. This common use could be broken and suppressed only by marriage by capture.
Noting that a traditional understanding of Paul as “convert” from Judaism has fueled false and often dangerous stereotypes of Judaism, and that the so-called “new perspective on Paul” has not completely escaped these stereotypes, František Ábel has gathered leading international scholars to test the hypotheses of the more recent “Paul within Judaism” movement. Though hardly monolithic in their approach, these scholars’ explorations of specific topics concerning Second Temple Judaism and Paul’s message and theology allow a more contextually nuanced understanding of the apostle’s thought, one free from particular biases rooted in unacknowledged ideologies and traditional interpretations transmitted by particular church traditions. Contributors include František Ábel, Michael Bachmann, Daniel Boyarin, William S. Campbell, Kathy Ehrensperger, Paula Fredriksen, Jörg Frey, Joshua Garroway, Karl-Wilhelm Niebuhr, Isaac W. Oliver, Shayna Sheinfeld, and J. Brian Tucker.
This is the third volume to be published in the series Theatre in Europe. This book makes available for the first time an overview of a significant segment of European theatre history and, with few exceptions, none of the documents presented have been published in English before. Gathered from a rich variety of sources, including imperial and municipal edicts, contracts, architectural descriptions, playbills, stage directions and actors' memoirs among others, the book sheds light on one of the most fascinating areas of cultural life in the German- and Dutch-speaking countries. Explanatory passages put these documents into their historical context, and numerous illustrations bring the material even more vividly to life. Also included is the source location for each document and a substantial bibliography.
We tend to accept that German cities and states run their own cultural institutions (concert halls, theatres, museums). This book shows how this now “self-evident” fact became a reality in the course of the long nineteenth century.
"Sets [Lessing's] life and work in the context of the intellectual, social, and cultural background of eighteenth-century Europe."--Provided by publisher.
After the end of Nazi era, many German writers claimed to have retreated into "Inner Emigration". This book presents the complexity of Inner Emigration through the analysis of individual cases of writers who, under constant pressure from a watchful dictatorship to conform and to collaborate, were caught between conscience and compromise.