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It’s the holiday season in a peaceful Yorkshire village, but there are no glad tidings for Caroline Hartley, brutally stabbed to death in her own home. Her body, naked and bloody, is found by her lover, Veronica, three days before Christmas. Detective Constable Susan Gay and Chief Inspector Alan Banks must unravel Caroline’s enigmatic past to discover her killer. This is no small task, as the suspects include Veronica’s ex-husband, a feminist poet, the cast and crew of Caroline’s play, and Caroline’s reclusive brother. Gay, recently promoted, has much at stake professionally, and Banks is keen to solve this puzzle, but family secrets and hidden desires must first come to light. Fifth in the critically acclaimed Inspector Banks Mystery Series.
Part I of "The Clay Jar" includes haiku and senryu poems written over the past 25 years. Many of the poems were originally published in "frogpond," the journal of the Haiku Society of America, as well as in other nationally and internationally recognized journals, magazines and anthologies. Part II includes haibun, a form of poetry which combines short prose and haiku. It is often used as a form of travel diary. The collected poems reflect the author's sense of irony and social conscience as she observes human relations and emotions, world events and the natural world. The poet's style aims for brevity, levity, a sense of immediacy and lightness.
Behind the Wireless tells the story of women at the BBC in the 1920s and 30s. Broadcasting was brand new in Britain and the BBC developed without many of the overt discriminatory practices commonplace at the time. Women were employed at all levels, except the very top, for instance as secretaries, documentary makers, advertising representatives, and librarians. Three women held Director level posts, Hilda Matheson (Director of Talks), Mary Somerville (Director of School Broadcasting), and Isa Benzie (Foreign Director). Women also produced the programmes aimed at female listeners and brought women broadcasters to the microphone. There was an ethos of equality and the chance to rise through the ranks from accounts clerk to accompanist. But lurking behind the façade of modernity were hidden inequalities in recruitment, pay, and promotion and in 1932 a marriage bar was introduced. Kate Murphy examines how and why the interwar BBC created new opportunities for women.
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Marcus Sinclair, sixteenth Earl of Sinclair, has lived the last thirteen years as a recluse following an accident that left him heavily scarred. Though a recluse, Marcus has still managed to fall in love. The problem? The woman he’s taken with is none other than the sister of the lady he was once betrothed to! Emma Green has fancied herself in love with Marcus since she was barely out of leading strings and he taught her how to fish. Neither her sister's engagement to him, nor the accident that left him disfigured has altered those feelings. But that matters naught. Why would he ever be interested in the younger sister of the lady who ruined his life?
Hot to the touch... Twelve years ago, a teenage Caroline Banks slipped into Jason Cooper's bed, intending to seduce him and all of his tattooed hotness. She failed. Since then, she's wrapped herself in remote iciness, keeping her distance from both him and her home. But then Jason--now a mouthwateringly sexy U.S. Marshal--shows up suddenly with the news that Caroline's father has been shot and she is now under Jason's protection. Caroline never knew just how much she tempted him. And now, even with her aloofness, Jason can barely keep himself under control. Because that heat--that fiery sexual attraction--is stronger than ever. His job is to keep her safe, and not let himself fall into the flames. But the fire started so long ago won't be contained any longer....
UK economic Regulators : 1st report of session 2006-07, Vol. 2: Evidence