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Learning Languages in Early Modern England
In the early-modern period, the English language was practically unknown outside of Britain and Ireland, so the English who wanted to travel and trade with the wider world had to become language-learners. John Gallagher explores who learned foreign languages in this period, how they did so, and what they did with the competence they acquired.
Hamlet's Moment
Although we take for granted that drama was crucial to the political culture of Renaissance England, we rarely consider one of its most basic functions, namely, that it helped large audiences to understand what politics was. This book suggests that in this moment before newspapers, drama as a form of popular entertainment familiarized its audience with the profession of politics, with kinds of knowledge that were necessary for survival and advancement in politicalcareers. Shakespeare's Hamlet is particularly interested in these issues: in the coming and going of ambassadors, and in the question of the succession and of the conflict with Norway. Plays writtenby Ben Jonson, John Marston, George Chapman, and others in the following years shared a similar focus, inviting the public to imagine what it meant to have a political career. In doing so, they turned politics into a topic of sociable conversation, which people could use to impress others.
Theatre Cultures within Globalising Empires
This volume presents the proceedings of the international conference “Theatre Cultures within Globalising Empires: Looking at Early Modern England and Spain”, held in 2012 as part of the ERC Advanced Grant Project Early Modern European Drama and the Cultural Net (DramaNet). Implementing the concept of culture as a virtual network, it investigates Early modern European drama and its global dissemination. The 12 articles of the volume – all written by experts in the field teaching in the United Kingdom, the USA, Russia, Switzerland, India and Germany – focus on a selection of English and Spanish dramas from the sixteenth and seventeenth centuries. Analysing and comparing motifs, formal parameters as well as plot structures, they discuss the commonalities and differences of Early modern drama in England and Spain.
Poetry, Politics and Promises of Empire
This interdisciplinary study examines the poetic and political representation of the Palatine Marriage in London in 1613 by analysing the vast number of English and Neo-Latin festive / nuptial poetry and prose written on the occasion of the marriage of Count Palatine Frederick V (1596–1632) and Princess Elizabeth Stuart (1596–1662), stylised and represented as heroes and paragon figures of Protestant Europe. Taking a literary and cultural studies approach, the study explores courtly representational modes used to convey the propagandist and prophetic messages of the marriage, suggesting that the nuptial union follows a heavenly plan and fulfils the hopes of the formation of a pan-Protestant empire and a future bulwark against the imminent threats of Catholic Habsburg. In this respect the study aims to provide an alternative perspective on Britain, Europe and militant pan-Protestantism.
