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Outside of the capital London, no other British city has attracted more film-makers than Liverpool. Sometimes standing in for London, New York, Chicago, Paris, Rome or Moscow, and sometimes playing itself – or a version of its own past in Beatles biopics – Liverpool is an adaptable filmic backdrop that has attracted film-makers to its ports for decades. A place of passion, humour and pride, Liverpool evokes caverns and cathedrals, ferries and football grounds; it is a city so vivid we see it clearly even if we’ve never been there. From the earliest makers of moving images – among them the Mitchell & Kenyon film company, the Lumière brothers and pioneering early cinematographer Claude Friese-Greene – who preserved the city, the river, the docks, the streets and the people, Liverpool has endured as a cinematic destination. This collection celebrates that survival instinct and will be welcomed by enthusiasts of British cities, films and culture.
The Ealing Studios horror anthology film Dead of Night featured contributions from some of the finest directors, writers and technicians ever to work in British film; this is the first time a single book has been dedicated to its analysis
Long-awaited, this reprint of the history of one of Ulster’s most enchanting houses, Springhill near Moneymore, County Londonderry, will be an invaluable companion to those interested in the history of Mid-Ulster, the Plantation and Ulster families with Scottish origins. Now owned and managed by the National Trust, the house and grounds retain a unique and delightful atmosphere. It was home to ten generations of the Conyngham (later the Lenox-Conyngham) family, and their story is richly documented from the family’s own papers and told in a colourful narrative by the last chatelaine of the house, Mina. She was a formidable character in her own right and her tale gives a period insight into the self-confidence of the rural gentry class and their loyalties in early 20th-century Ulster. This new volume published by the Ulster Historical Foundation provides not only the original text but many new and excellent illustrations as well as a corrected family tree. These additions give a marvellously enhanced picture of this family home with its intact collections and wonderful setting close to the shores of Lough Neagh.
"This is the fascinating story of two families who left Dumfries in the mid 17th century to settle in Fermanagh and Tyrone. The marriage of Galbraith Lowry to Sarah Corry united their considerable fortunes and political clout. Their only surviving son, Armar Lowry Corry inherited some 70,000 acres and an income of [actual symbol not reproducible]12,000 and moved up in the heady world of Irish society and politics as Baron Belmore with a marriage arranged to a beautiful young wife and heiress, the eldest daughter of the Lord Lieutenant of Ireland. To celebrate he built a great fashionable house, Castle Coole, today one of the jewels in the crown of Ireland's built heritage. One year later his life was in despair; his marriage over, leaving him with a baby girl and a sickly son. The expense of building and politicking made him 'poor as a rat'. Bitter opposition to the Union with England in 1801 resulted in their exclusion from political power for many years."--BOOK JACKET.
The portrait and landscape painter Thomas Gainsborough was the dominant British portraitist of the second half of the eighteenth century. Credited as a founder of the British landscape school, Gainsborough sought to change the artistic tastes of his day, establishing an original and innovative approach to high art. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Gainsborough’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Thoma...
Originally published in 1913, this book forms the second part of a two-volume biographical register of Christ's College, Cambridge, covering the period 1666 to 1905. The text was begun and left almost complete by John Peile (1838-1910), an English philologist who was Master of Christ's from 1887 until his death. This book will be of value to anyone with an interest in Christ's College and its history.
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