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This collected volume is dedicated to the role of prayer books in lay piety in medieval and early modern contexts. Instead of focusing on individual examples, it places them within the broader genre of devotional literature and considers them in connection with prevailing cultural, religious and artistic developments, taking into account the Reformation, the printing press and growing interest in lay piety, in the context of increasing individualism, developing literacy, privatization and/or personalization of religion. Contextualising devotional literature, the volume refines understandings of religious practice fostered by traditional Catholicism and early modern Protestantism and its relationship with the written word, locating the use of books within a devotional 'diet' that included oral recitation of prayers as well as contemplation of images. Stressing continuities, often against the grain of existing literature, this volume highlights differences between regional cultures of prayer in contrast to norms set by the universal Church and emphasizes the tension between public/communal and private/individual devotion.
This volume surveys the production and marketing of non-monastic manuscripts and printed books over 150 years in late medieval Brittany. Through analysis of the physical aspects of Breton manuscripts and books, and of the prices, wages and commissions associated with their manufacture, Diane Booton exposes connections between the tangible cultural artifacts and the society that produced, acquired and valued them.
Includes inclusive "Errata for the Linage book."
L'image rend l'État visible ; elle permet de représenter l'abstraction du politique. Cette figuration est fréquemment synonyme de propagande, une forme de narration iconique et symbolique qui viserait à glorifier et à célébrer le pouvoir derrière le simulacre de sa représentation. C'est vers la fin du XVe siècle que l'image de la monarchie, d'une symbolique médiévale, se métamorphoserait en une symbolique antiquisante, vivifiée par l'humanisme conquérant de la Renaissance, bouleversant non seulement le langage iconographique et mythographique, mais aussi l'idéologie du pouvoir : le roi pasteur très chrétien céderait progressivement la place à un roi de gloire détenteur d...
Interventions prononcées lors d'une journée consacrée à cette personnalité marquante du réseau des conservateurs et historiens de l'art. Elles portent sur les manuscrits enluminés du Moyen Age et mettent en lumière certaines thématiques telles que le trône de grâce, le maître des graduels de San Salvatore de Pavie, le missel d'Alfonso Strozzi de la bibliothèque universitaire de Leipzig ...