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The Craft of Art
In this collection of nine essays some of the preeminent art historians in the United States consider the relationship between art and craft, between the creative idea and its realization, in Renaissance and Baroque Italy. The essays, all previously unpublished, are devoted to the pictorial arts and are accompanied by nearly 150 illustrations. Examining works by such artists as Michelangelo, Titian, Volterrano, Giovanni di Paolo, and Annibale Carracci (along with aspects of the artists' creative processes, work habits, and aesthetic convictions), the essayists explore the ways in which art was conceived and produced at a time when collaboration with pupils, assistants, or independent masters...
In the Studio
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European Drawings from the Collection of the Ackland Art Museum
This handsome catalogue presents 267 European drawings and watercolors dating from the 16th through the early 20th centuries. Color reproductions of 73 of the Ackland’s most important Italian, Netherlandish, French, British, and German drawings are accompanied by 194 black-and-white reproductions and 35 supplemental images. Although the Ackland has not previously published its drawings, many of the works are already quite well known, including works by Luca Cambiaso, Pietro da Cortona, Eugène Delacroix, Jean-Honoré Fragonard, William Blake, Guilio Romano, Henry Fuseli, and Egon Shiele. Beginning with an overview of the history of the Ackland’s drawings collection, the catalogue examines the most significant works with full-page reproductions and essays that detail the scholarly issues relevant to each drawing, including questions of attribution, date, subject matter, and relationship to other studies or to known projects. In addition, 200 works are presented with thumbnail reproductions and brief commentary.
A Place for Meaning
Place for Meaning: Art, Faith, and Museum Culture
Picturing Marie Leszczinska (1703-1768)
Portraits of Queen Marie Leszczinska (1703-1768) were highly visible in eighteenth-century France. Appearing in royal ch?aux and, after 1737, in the Parisian Salons, the queen's image was central to the visual construction of the monarchy. Her earliest portraits negotiated aspects of her ethnic difference, French gender norms, and royal rank to craft an image of an appropriate consort to the king. Later portraits by Maurice-Quentin de La Tour, Carle Van Loo, and Jean-Marc Nattier contributed to changing notions of queenship over the course of her 43 year tenure. Whether as royal wife, devout consort, or devoted mother, Marie Leszczinska's image mattered. While she has often been seen as a we...
Festive Funerals in Early Modern Italy
Celebrated at the heart of a notoriously unstable period, the Vacant See, papal funerals in early modern Rome easily fell prey to ceremonial chaos and disorder. Charged with maintaining decorum, papal Masters of Ceremonies supervised all aspects of the funeral, from the correct handling of the papal body to the construction of the funeral apparato: the temporary decorations used during the funeral masses in St Peter?s. The visual and liturgical centre of this apparato was the chapelle ardente or castrum doloris: a baldachin-like structure standing over the body of the deceased, decorated with coats of arms, precious textiles and hundreds of burning candles. Drawing from printed festival book...
Anna and Tranquillo
A historical interpretation of the diary of an eighteenth-century Jewish woman who resisted the efforts of the papal authorities to force her religious conversion After being seized by the papal police in Rome in May 1749, Anna del Monte, a Jew, kept a diary detailing her captors’ efforts over the next thirteen days to force her conversion to Catholicism. Anna’s powerful chronicle of her ordeal at the hands of authorities of the Roman Catholic Church, originally circulated by her brother Tranquillo in 1793, receives its first English-language translation along with an insightful interpretation by Kenneth Stow of the incident’s legal and historical significance. Stow’s analysis of Anna’s dramatic story of prejudice, injustice, resistance, and survival during her two-week imprisonment in the Roman House of Converts—and her brother’s later efforts to protest state-sanctioned, religion-based abuses—provides a detailed view of the separate forces on either side of the struggle between religious and civil law in the years just prior to the massive political and social upheavals in America and Europe.
