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The story of invasive species in New Zealand is unlike any other in the world. By the mid-thirteenth century, the main islands of the country were the last large landmasses on Earth to remain uninhabited by humans, or any other land mammals. New Zealand’s endemic fauna evolved in isolation until first Polynesians, and then Europeans, arrived with a host of companion animals such as rats and cats in tow. Well-equipped with teeth and claws, these small furry mammals, along with the later arrival of stoats and ferrets, have devastated the fragile populations of unique birds, lizards and insects. Carolyn M. King brings together the necessary historical analysis and recent ecological research to understand this long, slow tragedy. As a comprehensive historical perspective on the fate of an iconic endemic fauna, this book offers much-needed insight into one of New Zealand’s longest-running national crises.
Based on a true story of a 41 year old cold murder case of 2 girls found dead in a ice-cream parlor in rural Virginia.
How did medieval Europeans use and change their environments, think about the natural world, and try to handle the natural forces affecting their lives? This groundbreaking environmental history examines medieval relationships with the natural world from the perspective of social ecology, viewing human society as a hybrid of the cultural and the natural. Richard Hoffmann's interdisciplinary approach sheds important light on such central topics in medieval history as the decline of Rome, religious doctrine, urbanization and technology, as well as key environmental themes, among them energy use, sustainability, disease and climate change. Revealing the role of natural forces in events previously seen as purely human, the book explores issues including the treatment of animals, the 'tragedy of the commons', agricultural clearances and agrarian economies. By introducing medieval history in the context of social ecology, it brings the natural world into historiography as an agent and object of history itself.
A smart, sexy guide to embracing the repressed, tabooed, and often unwanted aspects of ourselves so we can discover our inner power and finally live the life we deserve. “We always get exactly what we want; but often, though we may not be aware of it, what we most want is dark—very dark.” Each of us has a dual nature: we are light (conscious) and dark (unconscious). The dark side of our personality—the “other,” the shadow side—is made up of what we think is our primitive, primal, negative impulses—our “existential kink.” Our existential kink also drives the dark or negative repeating patterns in our life: always choosing the abusive partner or boss, settling for less, thi...
"... Dwayne King's life proves that fulfilling God's purpose is the highest adventure..." -Stephen Saint, author of End of the Spear "... The advance of the Gospel in much of Alaska today is due to men like Dwayne King and others who have sacrificed to take the Good News to the ends of the earth..." -Franklin Graham, CEO of Samaritan's Purse On September 1, 1991, bush pilot Dwayne King spearheaded one of the first missionary flights into the crumbling Soviet empire. The historic mission climaxed the transformation of a wild child from upstate New York into a selfless servant. The saga continues at Kingdom Air Corps, where he's training the next generation of young missionaries to fly the Wor...
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Publisher description
The weekly source of African American political and entertainment news.
Toronto has over 600 public outdoor sculptures, works of art that provide a sense of the rich variety of life and work in the city, its peoples, cultures and aspirations. Interest in commissioning public sculpture began slowly in the nineteenth and early twentieth century, but increased rapidly after the 1950s.This is a book about the sculptures and how they disclose the city to itself. Creating Memory’s two introductory sections examine the factors behind this expansion over time and the changes in style as one generation of sculptors succeeded another. It looks at the reasons behind the changes as sculptures were conceived, sculpted and erected. More than 10 categories of sculptures are defined and discussed, including Founding the City, Natural Environment, Immigration, Ethnic Groups, Economic Activities, Disaster and Calamity, War And Conflict, Leaders, Ordinary Citizens, Community Life, and Works of the Imagination.
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