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Encouragement and direction for a brand-new road in life. Embrace God s powerful promises for you as you leave one road and set your course on another . . . exciting, new, and rich with opportunity. "God s Promises(r) for Graduates 2013 "on topics such as confidence, discipline, faith, and wisdom direct your steps and light your path in God s Holy Word. This little book will help steer graduates in God s will as they embark on their new journey in life.
Hailed on publication as "an impressive integration of postmodernism and relational psychoanalysis" (James Hansel) and "an intelligent and stimulating account of where the issues of identity, gender, and difference are joined" (Jessica Benjamin), Lynne Layton's Who's That Girl? Who's That Boy? is a major contribution to the postmodern understanding of gender issues. This new edition, under the aegis of the Bending Psychoanalysis Book Series, includes a Foreword by Series Editor Jack Drescher and an Afterword in which Lynne Layton addresses the evolution of her thinking since the book's publication in 1998.
What happens when angry young rebels become wary older women, raging in a leaner, meaner time: a time which exalts only the “new,” when the ruling orthodoxy daily disparages everything associated with the “old”? Delving into her own life and those who left their mark on it, Lynne Segal journeys through time to consider her generation of female dreamers, the experiences that formed them, what they have left to the world, and how they are remembered in a period when pessimism pervades public life. Searching for answers, she studies her family history, sexual awakening, and ethnicity, as well as the peculiarities of the time and place that shaped her political journey, with all its urgency, significance, pleasures and absurdities.
From a powerful new voice in fiction comes a compelling debut about the delicate bond between daughters and mothers, and about leaving everything you know in order to find the place where you belong. Adie has always known she was different. There's her size, for one thing. Born three months premature, Adie is the smallest of her peers. Then there's Adie's mother, who at first glance seems like so many other 1980s moms--clipping coupons and attending Feel the Burn aerobics classes. But beneath the surface is something erratic and unpredictable, something that makes her drag Adie and her older sister, Miriam, from one rental apartment to the next--until Miriam runs away. Adie is left behind wi...
Pills replaced the couch; neuroscience took the place of talk therapy; and as psychoanalysis faded from the scene, so did the castrating mothers and hysteric spinsters of Freudian theory. Or so the story goes. In Prozac on the Couch, psychiatrist Jonathan Michel Metzl boldly challenges recent psychiatric history, showing that there’s a lot of Dr. Freud encapsulated in late-twentieth-century psychotropic medications. Providing a cultural history of treatments for depression, anxiety, and other mental illnesses through a look at the professional and popular reception of three “wonder drugs”—Miltown, Valium, and Prozac—Metzl explains the surprising ways Freudian gender categories and ...
This rich collection of essays presents a new vision of adolescent sexuality shaped by a variety of social factors: race and ethnicity, gender, sexual identity, physical ability, and cultural messages propagated in films, books, and within families. The contributors consider the full range of cultural influences that form a teenager's sexual identity and argue that education must include more than its current overriding message of denial hinged on warnings of HIV and AIDS infection and teenage pregnancy. Examining the sexual experiences, feelings, and development of Asians, Latinos, African Americans, gay man and lesbians, and disabled women, this book provides a new understanding of adolescent sexuality that goes beyond the biological approach all too often simplified as "surging hormones." In the series Health, Society, and Policy, edited by Sheryl Ruzek and Irving Kenneth Zola.
Carolyn Ainsworth is drawn into a twisted game of English chess, which places her in a delicate situation. Does finding out the truth about her family merit destroying all that she has known? The Queen's Gambit is a precise chess maneuver that calculates key positions upon the board. In order to play, Carolyn must accept the terms of the inheritance. The other beneficiary, Luca Caldwell is maneuvered to participate in this archaic game of alliances. Their forced partnership begins on opposite sides. As they progress, they discover mounting secrets about both of their families. What starts out in conflict, they unite with one common purpose to discover who has been manipulating them. As the autumn leaves fall from the trees, Carolyn and Luca find themselves embroiled in the mounting lies. They begin to question if they are the players or merely pieces in a greater scheme. Will the white side control the board, or will black rule the game?
How do we position ourselves, moment by moment, in relation to our patients and how do these positions inform both what we come to know about our patients and how we intervene? Do we participate as neutral object, as empathic self-object, or as authentic subject? Do we strive to enhance the patient's knowledge, to provide a corrective experience, or to work at the intimate edge? In an effort to answer these and other clinically relevant questions about the process of psychotherapeutic change, Martha Stark has developed a comprehensive theory of therapeutic action that integrates the interpretive perspective of classical psychoanalysis (Model 1), the corrective-provision perspective of self p...
Risking Difference revisions the dynamics of multicultural feminist community by exploring the ways that identification creates misrecognitions and misunderstandings between individuals and within communities. Drawing on Lacanian psychoanalysis, Jean Wyatt argues not only that individual psychic processes of identification influence social dynamics, but also that social discourses of race, class, and culture shape individual identifications. In addition to examining fictional narratives by Margaret Atwood, Angela Carter, Sandra Cisneros, Toni Morrison, and others, Wyatt also looks at nonfictional accounts of cross-race relations by white feminists and feminists of color.
This book suggests that untying and recognising relations of intimacy and dependency can, under certain circumstances, change the discourse of hatred into relations of peace and even friendship.