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Romantic Friendship in Victorian Literature
Carolyn Oulton considers same-sex romantic friendships between men and women in novels and poetry by authors such as Dickens, Tennyson, Disraeli, Charlotte Brontë, and Braddon, while also tracing developments in attitudes from mid-century to the fin-de-siécle revealed in conduct manuals, periodicals, and religious treatises. Her book is a persuasive challenge to those who view mid-Victorian England, existing in a state of blissful pre-Freudian innocence, as unproblematically accommodating of passionate same-sex relationships.
Below the Fairy City
The life of Jerome K. Jerome, (1859-1927) author of "Three Men in a Boat, " has been left unexplored. Oulton unearths hitherto unknown details of his early life in Walsall and follows his momentous move to the Fairy City of London, where a formative encounter with Charles Dickens influenced his choice of profession.
Dickens and the Myth of the Reader
This study explores the ways in which Dickens’s published work and his thousands of letters intersect, to shape and promote particular myths of the reading experience, as well as redefining the status of the writer. It shows that the boundaries between private and public writing are subject to constant disruption and readjustment, as recipients of letters are asked to see themselves as privileged readers of coded text or to appropriate novels as personal letters to themselves. Imaginative hierarchies are both questioned and ultimately reinforced, as prefaces and letters function to create a mythical reader who is placed in imaginative communion with the writer of the text. But the written word itself becomes increasingly unstable, through its association in the later novels with evasion, fraud and even murder.
British Women's Writing from Brontë to Bloomsbury, Volume 1
This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840-1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 1: 1840s and 1850s inaugurates the series by historically and culturally contextualizing Victorian women’s writing distinctly within the 1840s and 1850s. Using a range of critical perspectives i...
Weeds
First published anonymously in 1892, Weeds marked a significant departure from the humour that made Jerome K. Jerome famous. This disturbing story of sexual corruption shows marital fidelity as a perpetual struggle, with Dick Selwyn falling for the attractions of his wife's young cousin, Jessie. The link between mental and physical corruption is sustained through a central metaphor of a weed-infested garden, which perishes through neglect. With its radical ending, this story of the dark side of passion casts an important light on late-nineteenth-century sexual politics and gender ideology. Jerome engages with contemporary debates on degeneration and the emergence of the New Woman, offering a powerful evocation of fin-de-siècle society. Jerome's publisher Arrowsmith was nervous about the book's frank portrayal of adultery and it was never available for general sale during his lifetime. This new edition, with a critical introduction, bibliography and explanatory footnotes by Carolyn W. de la L. Oulton, reconsiders Jerome K. Jerome's important and neglected work.
Down from London
This monograph focuses on reading, literary genre and seaside resorts between the 1840s and the 1930s. As the railway network developed, debates about appropriate 'seaside reading' intensified and inflected the development of new forms of fiction. Where reading takes place can be as important as what is read...
Literature and Religion in Mid-Victorian England
This book places Dickens and Wilkie Collins against such important figures as John Henry Newman and George Eliot in seeking to recover their response to the religious controversies of mid-nineteenth century England. While much recent criticism has tended to overlook or dismiss their religious pronouncements, this book foregrounds the religious aspect of their writing and relocates their most important work in the context of contemporary debate. The response of both writers is seen to be complex and fraught with tension.
The Marriage of Minds
The Marriage of Minds examines the implications of the common Victorian claim that novel reading can achieve the psychic, ethical, and affective benefits also commonly associated with sympathy in married life. Through close readings of canonical texts in relation to the histories of sympathy, marriage, and reading, The Marriage of Minds begins to fill a long-standing gap between eighteenth-century philosophical notions of sympathy and twentieth-century psychoanalytic concepts of identification. It examines the wide variety of ways in which novels were understood to educate or reform readers in the mid-nineteenth century. Finally, it demonstrates how both the form of the Victorian novel and the experience supposed to result from that form were implicated in ongoing debates about the nature, purpose, and law of marriage.
British Women’s Writing from Brontë to Bloomsbury, Volume 3
This five-volume series, British Women’s Writing From Brontë to Bloomsbury, 1840–1940, historically contextualizes and traces developments in women’s fiction from 1840 to 1940. Critically assessing both canonical and lesser-known British women’s writing decade by decade, it redefines the landscape of women’s authorship across a century of dynamic social and cultural change. With each of its volumes devoted to two decades, the series is wide in scope but historically sharply defined. Volume 3: 1880s and 1890s analyses confluences and developments in women’s writing across two fin-de-siècle decades. Its 16 original essays reconsider fiction by canonical and lesser-known women wri...
